Magnificat: VIII. Suscepit Israel by Rinaldo Alessandrini, Concerto Italiano, Pietro Paolo Bencini Song Details

Rinaldo Alessandrini, Concerto Italiano, Pietro Paolo Bencini's 'Magnificat: VIII. Suscepit Israel' had a release date set for May 9, 2011. With This song being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "Per la Vergine Maria (Bencini, Soler, Stravinsky...)". In this album, this song's track order is #9. Furthermore, we believe that the track originated from France. Magnificat: VIII. Suscepit Israel is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Magnificat: VIII. Suscepit Israel by Rinaldo Alessandrini, Concerto Italiano, Pietro Paolo Bencini having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -19.709 dB
Acousticness: 98%
Danceability: 34%
Energy: 16%
Instrumentalness: 0%
Liveness: 38%
Loudness: 67%
Speechiness: 4%
Valence: 26%

Recommendations

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