"Positings: VI. Response 5" by Roger Reynolds, Mathias Reumert Group had its release date on March 7, 2025. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Positings: VI. Response 5's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "The Promises of Darkness". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. Positings: VI. Response 5 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Positings: VI. Response 5 by Roger Reynolds, Mathias Reumert Group having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| こんな夜に聴く歌 | HEART | D♭ Minor | 0 | 12A | 129 BPM | ||
| Cuenta cuatro 8 | el nef | A♭ Minor | 7 | 1A | 180 BPM | ||
| EMBODY IT | Anica Popovic | D♭ Major | 2 | 3B | 137 BPM | ||
| El Duelo | Memoribio | D♭ Major | 2 | 3B | 137 BPM | ||
| In the Dark | James Ingram Merrill, Roger Reynolds | B♭ Minor | 1 | 3A | 118 BPM | ||
| Third Etude | Michael Rosas Cobian, Gabriela Ortiz | D Major | 0 | 10B | 119 BPM | ||
| Tenemos | fdgdf | B Major | 10 | 1B | 140 BPM | ||
| 3 True Disturbing Postmates/Doordash Stories - Part 6 | Mr. Nightmare | B♭ Minor | 9 | 3A | 130 BPM | ||
| Lauda 3 | Gavin Bryars, Roger Heaton | G Minor | 0 | 6A | 76 BPM | ||
| Rachell's Weepinge | Christopher Tye, Kronos Quartet | F Major | 0 | 7B | 53 BPM | ||
| Herd Noises | Dr. Roger Payne, Humpback Whale | A♭ Minor | 6 | 1A | 105 BPM | ||
| The Apprentice Pillar | Tallis Chamber Choir, Mary Oliver, Edinburgh Renaissance Band, The | A♭ Minor | 1 | 1A | 101 BPM | ||
| poor hymnal: No. 1, i saw a poor man | David Lang, The Crossing, Donald Nally | F♯ Minor | 0 | 11A | 167 BPM | ||
| Asmr Masaje Electrónico de Cuello y Nuca | Axel ASMR | C Minor | 0 | 5A | 81 BPM | ||
| Viviadolus Goes Crazy and Relaxes (Live) | Marina Frescobaldi | G Minor | 6 | 6A | 81 BPM | ||
| Starlit Serenity | EJ HouseGroove Magic | B♭ Minor | 8 | 3A | 124 BPM | ||
| Red Paint | Lavie Goldblatt | A Minor | 2 | 8A | 78 BPM | ||
| Danse Sayyid (No. 26) | G. I. Gurdjieff, Thomas de Hartmann, Dietrich Bethge, Corinne Cordier, Herbert Lashner, Fernando Del Verme | G Minor | 2 | 6A | 74 BPM | ||
| Dream Big Dream Colossal | Fiona Ubong | F♯ Major | 1 | 2B | 70 BPM | ||
| Tormenta de Sueño | Cuenquito | B♭ Minor | 4 | 3A | 89 BPM | ||
| Winning Mentally | Sports Affirmations | E♭ Major | 1 | 5B | 86 BPM | ||
| String Quartet: II. Àigi | Bjorn Arntsen, Towha | C Minor | 1 | 5A | 169 BPM | ||
| Gods Glorie Ende Heerlicheyt (Ic hadde een gestadich minneken) | Martien van der Knijff | E♭ Major | 2 | 5B | 84 BPM | ||
| Mystery of Tanzania | Lorenzo Dinapoli | C Major | 1 | 8B | 146 BPM | ||
| Colombi Daydream (After G. Colombi) | Roger Reynolds, Alexis Descharmes | D♭ Major | 2 | 3B | 137 BPM |