Harrison Kennedy's ' "Hypnotic Music" was released on its scheduled release date, January 1, 1972. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Harrison Kennedy's "Hypnotic Music" album is number 1 out of 9. On top of that, United Kingdom appears to be the country where this track was created. Hypnotic Music is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Hypnotic Music by Harrison Kennedy to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Got To Call My Baby - Live | James Harman, Shakedown Tim and the Rhythm Revue | F Minor | 1 | 4A | 176 BPM | ||
| I Can See Clearly Now | Indra Rios-Moore | G Major | 1 | 9B | 89 BPM | ||
| I'm Not Ashamed To Sing The Blues | Diane Schuur | E Minor | 3 | 9A | 115 BPM | ||
| Red Meat | Otis Taylor | F Major | 3 | 7B | 107 BPM | ||
| Way Down in the Hole | John Campbell | A♭ Minor | 5 | 1A | 102 BPM | ||
| Heartattack And Vine | John Hammond | G Major | 7 | 9B | 86 BPM | ||
| Back Nine | Ben Sidran | D♭ Major | 5 | 3B | 120 BPM | ||
| Ain't Got No Troubles | Eden Brent | G Major | 5 | 9B | 178 BPM | ||
| Browns Boogie | Etta Baker | G Major | 7 | 9B | 109 BPM | ||
| Blood From A Stone | Charlie A'Court, Lloyd Spiegel, Suzie Vinnick | C Minor | 3 | 5A | 170 BPM | ||
| I Let the Blues In | Fiona Boyes | G Major | 7 | 9B | 122 BPM | ||
| Pray For Rain | Walter Trout | F Major | 1 | 7B | 154 BPM | ||
| You Got My Nose Open | James Cotton | C Major | 3 | 8B | 111 BPM | ||
| After You’ve Gone | Curtis Stigers | C Minor | 6 | 5A | 170 BPM | ||
| We're Going Down | Mike Andersen | E Minor | 6 | 9A | 81 BPM | ||
| My Dog Is Mean | Memphis Slim | G Major | 3 | 9B | 131 BPM | ||
| Bottom Blues | Brother Yusef | B Major | 4 | 1B | 67 BPM | ||
| The Price to Pay | Ray Bonneville | B♭ Major | 4 | 6B | 129 BPM | ||
| Cuerda rota | Novara | C Major | 4 | 8B | 113 BPM | ||
| Checkin' You Out | Harrison Kennedy | G Major | 7 | 9B | 90 BPM | ||
| What My Momma Told Me / That's All Right | Junior Wells, Derek Trucks | B♭ Major | 6 | 6B | 96 BPM | ||
| No Monopoly on Hurt | Eric Séva, Harrison Kennedy | B♭ Major | 4 | 6B | 168 BPM | ||
| Tarde sin mapa | Novara | C Major | 4 | 8B | 113 BPM | ||
| Bumble Bee Blues | Corey Harris | D Major | 1 | 10B | 86 BPM | ||
| Aged And Mellow | Catherine Russell | F♯ Major | 2 | 2B | 157 BPM |