A Secretary Is Not a Toy by Paul Reed, How to Succeed in Business Without Really Trying Ensemble Song Details

Paul Reed, How to Succeed in Business Without Really Trying Ensemble's ' "A Secretary Is Not a Toy" was released on its scheduled release date, 1990. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Original Broadway Cast of How to Succeed in Business Without Really Trying's "How to Succeed in Business Without Really Trying (Original Broadway Cast Recording)" album is number 7 out of 17. On top of that, United States appears to be the country where this track was created. In terms of popularity, A Secretary Is Not a Toy is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.

BPM and Tempo

We consider the tempo marking of A Secretary Is Not a Toy by Paul Reed, How to Succeed in Business Without Really Trying Ensemble to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.

Music Key

This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 12%
Loudness: -14.327 dB
Acousticness: 74%
Danceability: 71%
Energy: 42%
Instrumentalness: 0%
Liveness: 11%
Loudness: 76%
Speechiness: 74%
Valence: 53%

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