Hans Neusidler, Konrad Ragossnig's 'Lute music - Germany: Preambel' had a release date set for January 1, 1974. With This song being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Works For Lute by Konrad Ragossnig. The song's track number on the album is #23 out of 114 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Lute music - Germany: Preambel is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Lute music - Germany: Preambel by Hans Neusidler, Konrad Ragossnig has a tempo of 91 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Lute music - Germany: Preambel being at 91 BPM, the half-time would be 46 BPM with a double-time of 182 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Terpsichore*: a. Courante b. Courante c. Courante | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | C Major | 0 | 8B | 108 BPM | ||
| Tromboncini - Poi che volse la mia stella (version for lute): Poi che volse la mia stella (after Bartolomeo Tromboncino) | Joan Ambrosio Dalza, Christopher Wilson | B♭ Major | 0 | 6B | 132 BPM | ||
| Entrée de Luths | Robert Ballard, Le Poème Harmonique, Vincent Dumestre | D Minor | 0 | 7A | 96 BPM | ||
| Ein ser guter hoff tantz | Hans Neusidler, Hedos Ensemble | B♭ Major | 2 | 6B | 142 BPM | ||
| Zarabanda detta la favorita | Giovanni Paolo Foscarini, Private Musicke | F Major | 1 | 7B | 145 BPM | ||
| Suite in C Minor from Ms. Lobkowicz: V. La volage Passacaille | Charles Mouton, Anders Ericson | B Minor | 1 | 10A | 103 BPM | ||
| Saltarello detto Trivella | Orazio Vecchi, Paul O'Dette, The King's Noyse, David Douglass | D Minor | 0 | 7A | 63 BPM | ||
| Adieu delices de mon ceur | Jacob Clemens non Papa, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 79 BPM | ||
| Allemande | François Dufaut, Bertrand de Bacilly, Ensemble A Deux Violes Esgales | A Major | 0 | 11B | 109 BPM | ||
| Terpsichore (arr. H. Baumer): La Canarie | Michael Praetorius, Hermann Bäumer, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Major | 1 | 9B | 105 BPM | ||
| Folias | Gaspar Sanz, Rolf Lislevand, Eduardo Egüez, Beatrice Pornon, Adela Gonzalez-Campa | C Major | 1 | 8B | 105 BPM | ||
| Suite for 2 Lutes in Bb (Baron) - Allemande | Edward Martin and Paul Berget | A Major | 1 | 11B | 95 BPM | ||
| La Folia | 16th century, Circa 1500 | F Major | 0 | 7B | 110 BPM | ||
| Suite in G Major: V. Musette de Monsieur Marais | Marin Marais, Les Musiciens De Saint-Julien, François Lazarevitch | F Minor | 2 | 4A | 133 BPM | ||
| Trois pièces pour régale: Ungaresca (J. Paix) – Allemande [a. Le Roy] – Allemande „Judentanz“ [H. Neusidler] | Adrien Le Roy, Hans Neusidler, Jacob Paix, André Soir à l'orgue régale, La Grande Écurie et la Chambre du Roy, Florilegium Musicum de Paris, Jean-Claude Malgoire | C Major | 2 | 8B | 118 BPM | ||
| Tiento | Alonso Mudarra, Shirley Rumsey | F Major | 0 | 7B | 106 BPM | ||
| Mrs. McDermott Roe | Turlough O'Carolan, Michal Hromek Consort | G Minor | 2 | 6A | 143 BPM | ||
| Branles de village | Robert Ballard, Massimo Marchese | A Minor | 1 | 8A | 78 BPM | ||
| Sparrows and Cats | Nancy Karpeles, Ensemble Galilei | A Minor | 1 | 8A | 72 BPM | ||
| Terpsichore*: Bransle Double 3 | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Minor | 0 | 6A | 77 BPM | ||
| Intabolatura de lauto, Book 4: Calata ala spagnola | Joan Ambrosio Dalza, Christopher Wilson | B♭ Major | 1 | 6B | 126 BPM | ||
| Contrapunto Primo di B.M. | Vincenzo Galilei, Lynda Sayce, Matthew Spring | G Minor | 0 | 6A | 75 BPM | ||
| Danseryes: Ronde Warum | Tylman Susato, Musica Antiqua, Christian Mendoze | D Minor | 3 | 7A | 115 BPM | ||
| Ein newgeordent künstlich Lautenbuch | Hans Neusidler, Bart Roose | G Minor | 0 | 6A | 77 BPM | ||
| Suite in D Minor: VII. La poste | Ennemond Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM |