16. I once was as meek as a newborn lamb by Arthur Sullivan, John Reed, Stanley Riley, Orchestra of the Royal Opera House, Covent Garden, Isidore Godfrey Song Details

Arthur Sullivan, John Reed, Stanley Riley, Orchestra of the Royal Opera House, Covent Garden, Isidore Godfrey's '16. I once was as meek as a newborn lamb' had a release date set for January 1, 1993. The duration of This song is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. 16. I once was as meek as a newborn lamb's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company, Orchestra of the Royal Opera House, Covent Garden, Isidore Godfrey's "Gilbert & Sullivan: Ruddigore" album is number 2 out of 35. On top of that, United Kingdom appears to be the country where this track was created. The popularity of 16. I once was as meek as a newborn lamb is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

BPM and Tempo

We consider the tempo marking of 16. I once was as meek as a newborn lamb by Arthur Sullivan, John Reed, Stanley Riley, Orchestra of the Royal Opera House, Covent Garden, Isidore Godfrey to be Vivace (lively and fast) because the track has a tempo of 174 BPM, a half-time of 87BPM, and a double-time of 348 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.

Music Key

D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 1%
Loudness: -18.126 dB
Acousticness: 89%
Danceability: 52%
Energy: 24%
Instrumentalness: 0%
Liveness: 10%
Loudness: 70%
Speechiness: 41%
Valence: 36%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Trial by Jury: Oh Gentlemen Listen I Pray (Defendant, Chorus of Bridesmaids)	Arthur Sullivan, Richard Hickox, BBC National Orchestra Of Wales, James Gilchrist, Chamber Choir of the Royal Welsh College of Music and Drama	G Major	1	9B	96 BPM
Le veau d'or - from Faust	Charles Gounod, Erwin Schrott, Daniele Rustioni	C Minor	5	5A	121 BPM
The Maid of the Mountains (highlights) (1972 Digital Remaster) (1972 - Remaster), Act I: My life is love (Love is my life) (Teresa, chorus, Beppo)*	Harold Fraser-Simson, Chorus & Orchestra/Derek Taverner, Derek Taverner	G Major	2	9B	89 BPM
Cavalleria Rusticana: Easter Hymn	Pietro Mascagni, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari	G Major	1	9B	157 BPM
Lehár: Die lustige Witwe, Act 2: No. 7, Vilja-Lied, "Nun lasst uns … Vilja, o Vilja, Du Waldmägdelein" (Hanna, Chorus)	Franz Lehár, Kate Royal, Edward Gardner, English National Opera Orchestra	A Major	2	11B	84 BPM
With Cat-Like Tread, Upon Our Prey We Steal	The Pirates Of Penzance	D Major	6	10B	128 BPM
Do You Hear The People Sing	The Honley Male Voice Choir, The Band Of H.M. Royal Marines	E♭ Major	3	5B	102 BPM
Petite messe solennelle: Credo	Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Julia Lezhneva, Delphine Galou, Michael Spyres, Alexander Vinogradov	B Major	1	1B	135 BPM
Sullivan: The Mikado or The Town of Titipu, Act 1: No. 6, Chorus, "Comes a train of little ladies" (Girls)	Arthur Sullivan, Glyndebourne Chorus, Sir Malcolm Sargent, Pro Arte Orchestra	G Major	1	9B	82 BPM
The Mikado / Act 2: 28. The criminal cried as he dropp'd him down	Arthur Sullivan, Peggy Ann Jones, John Reed, Kenneth Sandford, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash	E Major	1	12B	69 BPM
Cannon Song	Raul Julia, David Sabin, The Threepenny Opera Ensemble (1976)	D♭ Minor	6	12A	115 BPM
El barberillo de Lavapiés, Acto I: Marquesita, Don Luis, Paloma, Lamparilla y Coro General	Ataúlfo Argenta, Ana Maria Olaria, Teresa Berganza, Gran Orquesta Sinfonica, Carlos Munguia, Francisco Asenjo Barbieri, Coro De Camara Del Orfeon Donostiarra	F Major	4	7B	122 BPM
Gloria, FP 177: I. Gloria in excelsis Deo	Francis Poulenc, Polyphony, Britten Sinfonia, Stephen Layton, The Choir Of Trinity College, Cambridge	A Minor	3	8A	95 BPM
Die lustige Witwe / Act 2: Vilja-Lied	Franz Lehár, Renée Fleming, English Chamber Orchestra, Jeffrey Tate	G Major	1	9B	97 BPM
Elijah, Op. 70, MWV A25 / Part 1: "If with all your hearts ye truly seek Me"	Felix Mendelssohn, John Mark Ainsley, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel	E♭ Major	1	5B	86 BPM
H.M.S. Pinafore, Act I: A Maiden Fair to See	Gilbert & Sullivan Society of Houston	C Major	3	8B	129 BPM
Les Contes d'Hoffmann (1989 Digital Remaster), Act II: Non aucun hôte vraiment (Choeurs)	Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Jacques Pruvost, Robert Geay, George London, Michel Sénéchal, Jean Christophe Benoit, Jean-Pierre Laffage, Nicola Ghiuselev, André Mallabrera, Ernest Blanc, Renée Faure, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire	A Major	3	11B	98 BPM
Requiem, Op. 89, B. 165: Tuba mirum	Antonín Dvořák, Czech Philharmonic Orchestra	F♯ Major	1	2B	88 BPM
Trial by Jury: Where's the Plaintiff? (Counsel, Usher, Plaintiff, Chorus of Bridesmaids)	Arthur Sullivan, Richard Hickox, BBC National Orchestra Of Wales, Matthew Brook, Neal Davies, Rebecca Evans, Chamber Choir of the Royal Welsh College of Music and Drama	F Major	1	7B	88 BPM
Trial by Jury: Hark, The Hour of Ten Is Sounding	Gilbert & Sullivan Society of Houston	A Major	3	11B	181 BPM
Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?"	Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti	C Major	2	8B	106 BPM
Rimsky-Korsakov: 4 Romances, Op. 3: No. 4, On the Hills of Georgia	Nikolai Rimsky-Korsakov, Boris Christoff, Alexandre Labinsky	D Minor	1	7A	82 BPM
127 - Meu bom Jesus, Contigo almejo estar	Orquestra Sacra	D Major	2	10B	126 BPM
Songs of Travel: The Roadside Fire	Ralph Vaughan Williams, Roderick Williams, Iain Burnside	F♯ Major	1	2B	135 BPM
Berlin: Annie Get Your Gun, Act I: My Defenses Are Down	Irving Berlin, Kim Criswell, London Sinfonietta, John McGlinn, Thomas Hampson	D♭ Minor	3	12A	116 BPM