"Harrier From The Marsh" by Kelly Bayfield, Phil Beer, Ruth Wall, David Edward Booth had its release date on January 27, 2023. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wave Machine by Kelly Bayfield. The song's track number on the album is #6 out of 12 tracks. Based on our statistics, Harrier From The Marsh's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Harrier From The Marsh by Kelly Bayfield, Phil Beer, Ruth Wall, David Edward Booth has a tempo of 136 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Harrier From The Marsh being at 136 BPM, the half-time would be 68 BPM with a double-time of 272 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sweet Spot | Antje Duvekot | F♯ Major | 1 | 2B | 100 BPM | ||
| Underbrush | Cheryl Wheeler | F Major | 3 | 7B | 134 BPM | ||
| Live And let Die | Nana Himmelstrup | A Major | 4 | 11B | 75 BPM | ||
| Anything Less | Kelly Bayfield, Paul Sartin, Nick Zala, David Edward Booth | A♭ Minor | 6 | 1A | 140 BPM | ||
| Schlaff Kindlein Schlaff | Freyda Epstein | A Major | 1 | 11B | 81 BPM | ||
| April Come She Will | Tracy Grammer | B Major | 2 | 1B | 177 BPM | ||
| Sweet October | Aoife Scott | B Major | 1 | 1B | 136 BPM | ||
| Into Your Arms | Kieran Goss, Annie Kinsella | F Major | 2 | 7B | 84 BPM | ||
| Grafton Street | Heidi Talbot | E♭ Major | 2 | 5B | 99 BPM | ||
| Dreamers | Thea Gilmore | C Major | 2 | 8B | 102 BPM | ||
| Green Grow the Rushes, O | Colm Keegan | G Major | 2 | 9B | 98 BPM | ||
| The Light and the Sea | Antje Duvekot | A Major | 3 | 11B | 82 BPM | ||
| ready to fly - Demo | Jason Andrew | G Minor | 5 | 6A | 84 BPM | ||
| Whispering Waters | Séléné Vibrations | D Minor | 1 | 7A | 112 BPM | ||
| Be Thou My Vision | Ordinary Time | F♯ Major | 3 | 2B | 138 BPM | ||
| The Things You're Not | Samantha Grimes | D Major | 2 | 10B | 163 BPM | ||
| Time to Be Okay | Ahna | C Major | 3 | 8B | 93 BPM | ||
| You Can Close Your Eyes (with Sally Taylor & Ben Taylor) | Carly Simon, Sally Taylor, Ben Taylor | B Minor | 3 | 10A | 108 BPM | ||
| Tiny Dream Lanterns | Julian’s Sleepy Songs | F♯ Major | 3 | 2B | 138 BPM | ||
| Hold The Quiet | Bram Koes | B♭ Minor | 9 | 3A | 173 BPM | ||
| Dreamy Night Echo | Laura’s Lullaby Room | F♯ Major | 3 | 2B | 138 BPM | ||
| Breathing In | B*u*r*d*y | F♯ Major | 3 | 2B | 138 BPM | ||
| Butterfly | Rocker C | G Major | 2 | 9B | 133 BPM | ||
| Vapour Trails | Kelly Bayfield, Paul Sartin, Beth Porter, Ben Please, David Edward Booth | F♯ Minor | 3 | 11A | 91 BPM | ||
| I Delight In You - Acoustic | Lía Monteluce | F♯ Major | 3 | 2B | 138 BPM |