"How Things Could Have Been - Radio Edit" by Carl B. had its release date on July 17, 2015. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "Trance Top 1000 Selection, Vol. 19". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, How Things Could Have Been - Radio Edit's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With How Things Could Have Been - Radio Edit by Carl B. having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Alt+F4 | Alt+F4 | F♯ Minor | 10 | 11A | 138 BPM | ||
| 11 Days | Cold Blue, Del Mar | A♭ Major | 9 | 4B | 136 BPM | ||
| Made For You | The Blizzard, Daniel van Sand, Julie Thompson | F♯ Minor | 9 | 11A | 134 BPM | ||
| They Still Need Us | Arnej | D♭ Minor | 10 | 12A | 130 BPM | ||
| Mistral | GTR | B Major | 9 | 1B | 140 BPM | ||
| People I Used To Know | LNQ | D♭ Major | 6 | 3B | 132 BPM | ||
| Riddles In The Sand [Mix Cut] - Original Mix | Ron Hagen, Pascal M | C Minor | 9 | 5A | 131 BPM | ||
| No More Alone [Mix Cut] - Original Mix | Giuseppe Ottaviani, Stephen Pickup | G Major | 9 | 9B | 137 BPM | ||
| A New Dawn | Steve Forte Rio | B Minor | 5 | 10A | 132 BPM | ||
| Strangers We've Become - Vocal Mix | Arnej, Josie | F♯ Minor | 6 | 11A | 130 BPM | ||
| Lost [Mix Cut] - Club Mix | Sunlounger, Zara | E Minor | 7 | 9A | 133 BPM | ||
| Reason to Believe | Dokmai | B Minor | 10 | 10A | 132 BPM | ||
| Feel the Pulse - Sped Up | Sven Marlon Bergmann | E Minor | 7 | 9A | 131 BPM | ||
| Eugina - Michael Woods Remix | Salt Tank, Michael Wood | F Major | 10 | 7B | 134 BPM | ||
| Silent Waves - Radio Edit | Jonas Steur | A Minor | 9 | 8A | 138 BPM | ||
| Tales from the South - Jonas Steur's Revision Flow | Estuera, Jonas Steur | D Minor | 8 | 7A | 132 BPM | ||
| Vision | Ashley Wallbridge | D♭ Major | 7 | 3B | 126 BPM | ||
| Ibiza Sunrise - Classic Mix | Myon & Shane 54, Labworks | D♭ Major | 10 | 3B | 135 BPM | ||
| Summer Calling - Airwave Club Mix | Andain | B♭ Minor | 8 | 3A | 134 BPM | ||
| Second Day - Martin Roth Remix | Jose Amnesia, Serp, Martin Roth | F♯ Minor | 9 | 11A | 138 BPM | ||
| Safe (Wherever You Are) - Rank 1 Remix | Velvetine, Rank 1 | B Minor | 8 | 10A | 131 BPM | ||
| Close Horizon - Original Mix | Thomas Bronzwaer | D Major | 9 | 10B | 140 BPM | ||
| Never Gone - Above & Beyond Respray | Adam Nickey | F Minor | 10 | 4A | 139 BPM | ||
| Crafted - Original Mix | Dan Stone | C Major | 7 | 8B | 137 BPM | ||
| Chocolate Infusion - Classic Bonus Track - Original Mix | M.I.K.E., Plastic Boy | B♭ Minor | 5 | 3A | 136 BPM |