"La voiture brûlée" by Alexandre Desplat, Jean-Pascal Beintus had its release date on May 6, 2016. With This song being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Cristian Castro, Alexandre Desplat, Alexandre Desplat, Jean-Pascal Beintus's "Marseille (A Netflix Original Series Soundtrack)" album is number 13 out of 32. On top of that, France appears to be the country where this track was created. La voiture brûlée is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La voiture brûlée by Alexandre Desplat, Jean-Pascal Beintus to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Climbing For A Kiss | Rupert Gregson-Williams | A Minor | 1 | 8A | 82 BPM | ||
| We Shall Become The Same | Amelia Warner | A Minor | 1 | 8A | 71 BPM | ||
| The Typewriter Theme | Alexandra Harwood | E Minor | 3 | 9A | 82 BPM | ||
| First Class | Henry Jackman | B♭ Major | 5 | 6B | 113 BPM | ||
| More Baggy Wrinkles | David Hirschfelder | F Major | 4 | 7B | 80 BPM | ||
| Epilogue | Dario Marianelli | E Minor | 1 | 9A | 100 BPM | ||
| Neville's Waltz | Patrick Doyle | D Major | 1 | 10B | 96 BPM | ||
| Simple Harp | Martin Phipps, The Chamber Orchestra Of London | A Minor | 0 | 8A | 204 BPM | ||
| Slughorn's Confession | Nicholas Hooper | C Major | 1 | 8B | 170 BPM | ||
| It's a Girl | Johannes Lehniger, Sebastian Damerius, Lisa Morgenstern | A Major | 3 | 11B | 96 BPM | ||
| Sword of the Ancestors | Marcel Barsotti | A Minor | 3 | 8A | 108 BPM | ||
| Frank Gehry | Mark Isham | F Major | 0 | 7B | 66 BPM | ||
| Lionel and Bertie | Alexandre Desplat | E♭ Major | 0 | 5B | 95 BPM | ||
| Legend Has It / Cliffside Playtime | John Powell | G Minor | 0 | 6A | 80 BPM | ||
| The Letter That Never Came (From "Lemony Snicket's: A Series of Unfortunate Events" Soundtrack) | Thomas Newman | F Major | 1 | 7B | 141 BPM | ||
| Tristan | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | G Major | 0 | 9B | 73 BPM | ||
| Soul Inside | Antonio Pinto | D♭ Minor | 3 | 12A | 88 BPM | ||
| Rowing | Jóhann Jóhannsson | G Minor | 3 | 6A | 138 BPM | ||
| No Regrets | Ari Posner, Amin Bhatia | G Major | 1 | 9B | 84 BPM | ||
| Double-Dipping | Nathan Johnson | A♭ Major | 1 | 4B | 124 BPM | ||
| Ron's Speech | Alexandre Desplat | C Minor | 1 | 5A | 105 BPM | ||
| Across The Sea | Alexandra Harwood | C Major | 3 | 8B | 119 BPM | ||
| Salamander Eyes | James Newton Howard | D Major | 0 | 10B | 105 BPM | ||
| Telegram | Alexandre Desplat | F Major | 3 | 7B | 207 BPM | ||
| Where's Hiccup? | John Powell | G Major | 1 | 9B | 83 BPM |