佐藤千夜子's ' "当世銀座節" was released on its scheduled release date, April 5, 1987. The duration of This song is about 3 minutes long, at 3:28. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 中山晋平の流行歌, so we believe that "当世銀座節" is a single. In terms of popularity, 当世銀座節 is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of 当世銀座節 by 佐藤千夜子 is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| よいやまいたの唄 | 佐藤千夜子 | B Minor | 2 | 10A | 84 BPM | ||
| ガード下の靴みがき | 宮城まり子 | A♭ Major | 2 | 4B | 89 BPM | ||
| リンゴの唄 | 並木路子, Noboru Kirishima | C Minor | 3 | 5A | 125 BPM | ||
| 蘇州夜曲 | Noboru Kirishima, 渡辺はま子 | G Minor | 3 | 6A | 87 BPM | ||
| ひばりの花売娘 | Hibari Misora | G Major | 9 | 9B | 161 BPM | ||
| 勇気あるもの | Sayuri Yoshinaga, トニーズ | A Minor | 4 | 8A | 114 BPM | ||
| Boku Wa Nai Chicchi | Hiroshi Moriya | B Minor | 1 | 10A | 95 BPM | ||
| Spring Comes to the Slum | 周璇 | A♭ Major | 1 | 4B | 167 BPM | ||
| ノーエ節 | 藤本琇丈大社中 | E Minor | 6 | 9A | 134 BPM | ||
| 銀座九丁目水の上 | Ichirou Kanbe | G Major | 3 | 9B | 93 BPM | ||
| Otomi-San | Club Nisei Orchestra, Aiko Bingo | C Major | 4 | 8B | 121 BPM | ||
| 港が見える丘 | 平野愛子 | E♭ Major | 2 | 5B | 87 BPM | ||
| 磯ぶし源太 | Yukio Hashi | C Major | 3 | 8B | 134 BPM | ||
| Señorita (セニョリータ) | Koichi Sugii | F Minor | 3 | 4A | 118 BPM | ||
| 今は幸せかい | ジャッキー吉川とブルー・コメッツ | B♭ Major | 3 | 6B | 99 BPM | ||
| ラッパと娘 - 2023 Remastered Ver. | 笠置シヅ子 | A Minor | 4 | 8A | 95 BPM | ||
| 三味線ブギウギ | 市丸 | B♭ Major | 4 | 6B | 129 BPM | ||
| いいじゃないの幸せならば | Naomi Sagara | F Minor | 2 | 4A | 99 BPM | ||
| 大勝負 | Kiyoko Suizenji | F Major | 5 | 7B | 138 BPM | ||
| 初春(「さわぎ」入り) | 春日とよ栄芝(栄芝), 本條秀太郎, 本條秀朋, 本條秀若 | F Major | 3 | 7B | 99 BPM | ||
| Tea for two | Chiemi Eri, Vincent Youmans | A♭ Major | 2 | 4B | 128 BPM | ||
| 愛と死をみつめて | 青山和子 | B Minor | 2 | 10A | 95 BPM | ||
| 夢で逢いましょう | 山口淑子, 灰田勝彦, 灰田晴彦とニュー・モアナ | D♭ Major | 2 | 3B | 65 BPM | ||
| 洒落男 | 榎本健一 | C Major | 3 | 8B | 102 BPM | ||
| เสี่ยงเทียน | มัณฑนา โมรากุล | C Major | 3 | 8B | 110 BPM |