Ebd's 'Welcome to Suburbia' had a release date set for October 31, 1996. With This song being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 516 (A Long Island Hardcore Compilation), so we believe that "Welcome to Suburbia" is a single. Based on our statistics, Welcome to Suburbia's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Welcome to Suburbia by Ebd is Allegro (fast, quick, and bright), since this song has a tempo of 149 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| HERETIC | TOUGH LUCK | G Major | 10 | 9B | 84 BPM | ||
| Last Man Standing | Satyricon | F Major | 10 | 7B | 112 BPM | ||
| Exploitation | Nailbomb | B♭ Minor | 10 | 3A | 105 BPM | ||
| Biotech Is Godzilla - 2017 Remaster | Sepultura | F Minor | 10 | 4A | 118 BPM | ||
| Evilyn | Entombed | D♭ Major | 10 | 3B | 142 BPM | ||
| Where the Slime Live | Morbid Angel | F♯ Major | 9 | 2B | 85 BPM | ||
| When in Sodom | Entombed | D♭ Major | 9 | 3B | 103 BPM | ||
| Toma Trouxa | Ratos De Porão | G Major | 7 | 9B | 121 BPM | ||
| No Money No Love | Hemlock | D♭ Major | 9 | 3B | 97 BPM | ||
| Hemorrhage | Septik | A Major | 9 | 11B | 99 BPM | ||
| Peace In The Galaxy | Mortification | B Major | 9 | 1B | 102 BPM | ||
| Down In The Zero | Napalm Death | D Major | 10 | 10B | 129 BPM | ||
| Paga Pau | Claustrofobia | F♯ Major | 10 | 2B | 124 BPM | ||
| Pms de Satã | Ratos De Porão | A♭ Minor | 10 | 1A | 125 BPM | ||
| Redneck Stomp | Obituary | D Major | 9 | 10B | 91 BPM | ||
| Cross Of Disbelief | All Out War | F Minor | 9 | 4A | 116 BPM | ||
| Respect | Life Of Agony | G Major | 7 | 9B | 76 BPM | ||
| Defeatist - Live In Dallas | Hatebreed | D♭ Major | 10 | 3B | 88 BPM | ||
| L'être en tant qu'être | Mononc' Serge, Anonymus | D♭ Major | 10 | 3B | 113 BPM | ||
| The Ted Bundy Song | MACABRE | E♭ Minor | 10 | 2A | 104 BPM | ||
| Weightless | Everybody Gets Hurt | A Major | 8 | 11B | 105 BPM | ||
| Inner Self | Sepultura, Phil Rind | A♭ Minor | 9 | 1A | 155 BPM | ||
| Apokalipsa Trwa | FrontSide | A♭ Major | 10 | 4B | 106 BPM | ||
| Silêncio da Noite | CARNIÇAL | D♭ Major | 8 | 3B | 131 BPM | ||
| Drill Bit Lobotomy | MACABRE | D Major | 10 | 10B | 204 BPM |