"Presences" by Pascal Gaigne had its release date on October 30, 2015. The duration of This song is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Presences's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Pascal Gaigne's "Loreak (Original Motion Picture Soundtrack)" album is number 10 out of 10. On top of that, Spain appears to be the country where this track was created. Presences is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Presences by Pascal Gaigne to be Larghetto (rather broadly) because the track has a tempo of 66 BPM, a half-time of 33BPM, and a double-time of 132 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| El pacto | Laura Andrés | D Minor | 0 | 7A | 175 BPM | ||
| The Kiss | Philip Glass | F Major | 0 | 7B | 82 BPM | ||
| Training Day | Debbie Wiseman | F Major | 2 | 7B | 132 BPM | ||
| Mary And Henry | Paul Cantelon | E♭ Major | 1 | 5B | 82 BPM | ||
| I Had A Farm (Main Title) - Main Title From "Out Of Africa" | John Barry | D Minor | 1 | 7A | 109 BPM | ||
| Moonlight Escapade | Paul Mottram | E Minor | 4 | 9A | 105 BPM | ||
| Mr. Holmes | Carter Burwell | F Major | 1 | 7B | 180 BPM | ||
| Let Go | Henning Fuchs | A Minor | 2 | 8A | 141 BPM | ||
| Waves of Solace | Celtroya | E Minor | 3 | 9A | 119 BPM | ||
| Quatuor de l'adolescence | Guillaume Roussel | C Major | 1 | 8B | 83 BPM | ||
| Building A Family | Mark Isham | A Major | 1 | 11B | 124 BPM | ||
| La trinchera infinita / Créditos | Pascal Gaigne | D Minor | 0 | 7A | 103 BPM | ||
| They Were Starting to Like Me | David Hirschfelder | G Minor | 1 | 6A | 115 BPM | ||
| Waterfalls | Alexis Ffrench | G Minor | 3 | 6A | 98 BPM | ||
| Walk Lightly | Tim Lea Young, M3ON | D Minor | 2 | 7A | 150 BPM | ||
| I'm Better At Hello | John Barry | D Minor | 1 | 7A | 53 BPM | ||
| María Santísima de Araceli | Alberto Iglesias | A Minor | 1 | 8A | 136 BPM | ||
| Rachel's Theme | Anne Dudley | E Minor | 2 | 9A | 79 BPM | ||
| Echos Nocturnes | Pascal Gaigne | G Minor | 0 | 6A | 80 BPM | ||
| Sin Dudar | Solisterrae Orchestra, Pascal Gaigne | D Minor | 0 | 7A | 128 BPM | ||
| Paris, printemps 1971 | Grégoire Hetzel | G Major | 1 | 9B | 67 BPM | ||
| Sunlit Kiss | Rael Jones, Anthony Weeden | C Major | 0 | 8B | 76 BPM | ||
| Clouds | Abel Korzeniowski | A♭ Minor | 3 | 1A | 180 BPM | ||
| Waiting Room Rondo | David Buckley | F Minor | 1 | 4A | 97 BPM | ||
| Aquarelle | René Aubry | F♯ Minor | 4 | 11A | 99 BPM |