"Liberation: III. German Aggression" by Carl Davis, Cesky Narodni Symfonicky Orchestr had its release date on November 4, 2014. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Liberation: III. German Aggression's duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 22 in Carl Davis: Last Train to Tomorrow by Carl Davis, Dětská opera Praha, Cesky Narodni Symfonicky Orchestr. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Liberation: III. German Aggression is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Liberation: III. German Aggression by Carl Davis, Cesky Narodni Symfonicky Orchestr is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Klavierkonzert Nr. 21 C-Dur, K. 467, "Elvira Madigan": 2. Andante (Elvira Madigan): II. Andante | Wolfgang Amadeus Mozart, Jenő Jandó, Concentus Hungaricus, András Ligeti | F Major | 0 | 7B | 126 BPM | ||
| The Boulevardier | Frederic Curzon, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 98 BPM | ||
| The Banks of Green Willow | George Butterworth, BBC National Orchestra Of Wales, Kriss Russman | E Minor | 0 | 9A | 78 BPM | ||
| Marche funèbre in A Minor, Op. 103, MWV P14 - Arr. for Brass Instruments | Les Cuivres Français, Michel Becquet | E♭ Major | 0 | 5B | 77 BPM | ||
| Les enfants de la Résistance (Thème) | Philippe Rombi | C Minor | 1 | 5A | 67 BPM | ||
| Around The World In 80 Days - Overture | Victor Young | E♭ Major | 2 | 5B | 126 BPM | ||
| Pride and Prejudice Suite: III. Elizabeth and Mr. Darcy | Carl Davis, Philharmonia Orchestra | E Major | 1 | 12B | 84 BPM | ||
| Serenade to Youth | Haydn Wood, Slovak Radio Symphony Orchestra, Adrian Leaper | D Major | 1 | 10B | 121 BPM | ||
| One Hundred Years Of Downton - From "Downton Abbey" | John Lunn, The Chamber Orchestra Of London | A Minor | 2 | 8A | 81 BPM | ||
| The John Dunbar Theme (From "Dance with Wolves" Soundtrack) | John Barry, Royal Philharmonic Orchestra | E♭ Major | 1 | 5B | 83 BPM | ||
| Má Vlast: The Moldau (Vltava), JB 1:112/2 | Bedřich Smetana, Leopold Stokowski, RCA Victor Symphony Orchestra | G Major | 2 | 9B | 98 BPM | ||
| Octopussy (Arr. C. Egan) | Philharmonia Orchestra, Carl Davis | A♭ Major | 2 | 4B | 79 BPM | ||
| Binge: Elizabethan Serenade, "The Man in the Street" | Ronald Binge, Reginald Kilbey, Studio 2 Symphony Orchestra | F Major | 1 | 7B | 149 BPM | ||
| Theme from Mansfield Park | James Shearman, Nick Ingman | D Major | 2 | 10B | 156 BPM | ||
| The Merry Widow: V. Vilja | Franz Lehár, Carl Davis, Munich Symphony Orchestra | B♭ Major | 1 | 6B | 123 BPM | ||
| Saint-Saens, Organ Symphony, Finale | Philharmonia La Seine | F Major | 4 | 7B | 150 BPM | ||
| The Dam Busters March | Eric Coates, Central Band Of The Royal Air Force | C Major | 3 | 8B | 135 BPM | ||
| Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, BBC Concert Orchestra, Barry Wordsworth | E♭ Major | 1 | 5B | 80 BPM | ||
| Ocean of Dreams | Moscow Symphony Orchestra, Ian Mulder | B♭ Major | 3 | 6B | 136 BPM | ||
| Anhelos y Esperanzas | Sirenas Celestiales | F♯ Minor | 2 | 11A | 112 BPM | ||
| The Birds, P. 154: V. The Cuckoo (Il cuccù) | Ottorino Respighi, Orpheus Chamber Orchestra | A Major | 0 | 11B | 118 BPM | ||
| Humoresque No. 7 in G-flat Major, Op. 101 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | F♯ Major | 1 | 2B | 83 BPM | ||
| The Sleeping Beauty, Op. 66, Act I: No. 6, Valse "Garland Dance" | Pyotr Ilyich Tchaikovsky, Royal Concertgebouw Orchestra, Antal Doráti | B♭ Major | 2 | 6B | 102 BPM | ||
| Journey of the King Fish | BBC Concert Orchestra, Sarah Class | B Major | 6 | 1B | 87 BPM | ||
| "Pomp and Circumstance," Op.39: March, No.1 in D | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | D Major | 3 | 10B | 72 BPM |