"Infant Holy, Infant Lowly (Arr. R. Proulx for Choir)" by Traditional, The Cathedral Singers, Richard Proulx had its release date on January 1, 2003. With This song being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 18 out of 22 in Catholic Classics, Vol. 8: Catholic Christmas Classics by The Cathedral Singers, Richard Proulx. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Infant Holy, Infant Lowly (Arr. R. Proulx for Choir) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Infant Holy, Infant Lowly (Arr. R. Proulx for Choir) by Traditional, The Cathedral Singers, Richard Proulx is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| What sweeter music | John Rutter, Alan Weiss, Judy Saiki, Michael Kleinschmidt, Richard Flanagan, Jean Munroe, Liza Wirtz, Boston Trinity Church Choir, Brian Jones | F♯ Major | 1 | 2B | 135 BPM | ||
| Lo, How Bright the Light Is Shining SHZ 31 | Laestadian Lutheran Church, Liisa Keranen, Laurel Loukusa, Anna-Kaisa Roiko | D♭ Major | 0 | 3B | 51 BPM | ||
| Break forth, O beauteous heavenly light | Johann Sebastian Bach, Stephen Cleobury, Donal McCann, Choir of King's College, Cambridge | G Major | 2 | 9B | 76 BPM | ||
| There Is No Rose | Connor Koppin, Una Vocis Choral Ensemble, Dennis Lee | C Major | 0 | 8B | 132 BPM | ||
| O Come, All Ye Faithful | John Francis Wade, Sir David Willcocks, The Queen's Six, Richard Pinel | G Major | 2 | 9B | 91 BPM | ||
| Hark! The Herald Angels Sing | Dominican House of Studies | F Major | 2 | 7B | 80 BPM | ||
| Resonemus laudibus | Plainsong, Traditional, The Sixteen, Harry Christophers | C Major | 1 | 8B | 75 BPM | ||
| Festgesang, MWV D4, "Gutenberg-Kantate": No. 2. (adap. W.H. Cummings as Hark! The Herald Angels Sing) (arr. N. Edison) | Noel Edison, Felix Mendelssohn, Elora Festival Singers, Michael Bloss | G Major | 2 | 9B | 82 BPM | ||
| We Three Kings Of Orient Are | Starlite Christmas Choir | E♭ Major | 2 | 5B | 129 BPM | ||
| Huron Carol (Arr. D. Warland) | Traditional, Dale Warland Singers, Dale Warland | D♭ Major | 0 | 3B | 76 BPM | ||
| Silent Night | Franz Xaver Gruber, St. Paul's Cathedral Choir, Andrew Carwood | C Major | 0 | 8B | 126 BPM | ||
| The Holly & The Ivy | Anonymous, The Choir of Royal Holloway | C Minor | 2 | 5A | 87 BPM | ||
| The Holly and the Ivy | The Oxford Trinity Choir | B Minor | 3 | 10A | 138 BPM | ||
| The Stable Door | Cecil Armstrong Gibbs, Vasari Singers, Jeremy Backhouse | E♭ Major | 1 | 5B | 95 BPM | ||
| O Praise Ye the Lord | The Oxford Trinity Choir | B♭ Major | 2 | 6B | 115 BPM | ||
| Break Forth, O Beauteous Heavenly Light | Concordia Publishing House | F Major | 2 | 7B | 108 BPM | ||
| Kontakion and Ikos of Nativity | St. Symeon Orthodox Church Choir | F Major | 1 | 7B | 37 BPM | ||
| Away in a Manger (Forever Amen) [Arr. Molly Ijames] | Beckenhorst Singers, Dan Forrest, Craig Courtney | C Major | 3 | 8B | 135 BPM | ||
| Shepherds, in the Field Abiding (Arr. D. Willcocks) | Edward Shippen Barnes, The Cambridge Singers, John Rutter | A Major | 1 | 11B | 111 BPM | ||
| A Spotless Rose | Herbert Howells, James Shaffran, The Choral Arts Society Of Washington, The Choral Arts Society of Washington Orchestra, Norman Scribner | F♯ Minor | 1 | 11A | 111 BPM | ||
| In dulci jubilo | Samuel Scheidt, The Cambridge Singers, Michael Meeks, Edward Hobart, John Scott, John Rutter | A Major | 1 | 11B | 71 BPM | ||
| There's A Voice In The Wilderness Crying | The Schola Cantorum of St. Peter's in the Loop | E♭ Major | 1 | 5B | 133 BPM | ||
| Agnus Dei | Anonymous, CantArte Regensburg, Hubert Velten | A♭ Minor | 1 | 1A | 99 BPM | ||
| I Wonder As I Wander | Chanticleer | G Minor | 0 | 6A | 174 BPM | ||
| O Come, All Ye Faithful (Arr. for Choir & Organ by D. Willcocks) | John Francis Wade, York Minster Choir, John Scott Whiteley, Philip Moore | G Major | 2 | 9B | 88 BPM |