Harry Ebbeson III's ' "Approaching the Throne" was released on its scheduled release date, February 13, 2015. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "The Pullman Sessions". In this album, this song's track order is #9. In terms of popularity, Approaching the Throne is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Approaching the Throne by Harry Ebbeson III having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| CHARIOTS OF FIRE: Main Theme (Synth) | San Fernando Symphonic Assembly | D♭ Major | 2 | 3B | 136 BPM | ||
| A Perfect Rhyme | Kiko Loureiro | B Minor | 2 | 10A | 49 BPM | ||
| Dreaming | Xuan | F Minor | 2 | 4A | 76 BPM | ||
| Gavia | Gavia | E Minor | 3 | 9A | 140 BPM | ||
| When Will I See You Again | John Adorney | F Major | 5 | 7B | 160 BPM | ||
| Seguir Viviendo | As En La Manga | E Minor | 4 | 9A | 100 BPM | ||
| I Dreamed There Was No War | Eagles | D Major | 1 | 10B | 136 BPM | ||
| The Dawnguard Growlers | Leilani Cross | E♭ Major | 3 | 5B | 79 BPM | ||
| Ocean Rain | Ethereal Flow play | F Major | 1 | 7B | 122 BPM | ||
| Al Sonar las Trompetas | Pianos Celestiales, Heaven Instrumental, Ora Instrumental | F♯ Minor | 2 | 11A | 142 BPM | ||
| 六絃之首 | 黃名偉 | C Minor | 5 | 5A | 131 BPM | ||
| Seascape | Tim Janis | G Major | 1 | 9B | 127 BPM | ||
| Faramond of the Dawn | Leilani Cross | E Minor | 2 | 9A | 128 BPM | ||
| Touch Me in the Morning | Carl Doy | D♭ Major | 4 | 3B | 136 BPM | ||
| Ocean Waltz | Sting | F Major | 2 | 7B | 94 BPM | ||
| Holy Father | Harry Ebbeson III | A♭ Major | 1 | 4B | 138 BPM | ||
| Quiet Time | Harry Ebbeson III | A Major | 1 | 11B | 138 BPM | ||
| Anlat Bana | Sertaç Özgümüş, Çağlar Haznedaroğlu | F♯ Minor | 7 | 11A | 93 BPM | ||
| Be Exalted, Oh God | Benny Hinn | F Major | 2 | 7B | 66 BPM | ||
| El sonido de tu corazón | Yelco Wave | F Major | 4 | 7B | 76 BPM | ||
| Triumph | Marty Friedman | C Major | 3 | 8B | 86 BPM | ||
| After The Sunrise | MR. OBNX | C Major | 4 | 8B | 100 BPM | ||
| In Your Eyes | Yanni | C Minor | 5 | 5A | 144 BPM | ||
| Eastern Wind | Harry Ebbeson III | G Minor | 5 | 6A | 134 BPM | ||
| Ocala | Wayne Gratz | B♭ Major | 2 | 6B | 139 BPM |