"The Comeback" by Franz Waxman had its release date on February 26, 2013. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 22 in the song's album "Sunset Boulevard - Music from the Motion Picture". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United States. The popularity of The Comeback is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Comeback by Franz Waxman having a BPM of 168 with a half-time of 84 BPM and a double-time of 336 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Dream Of A Past Love | Dr. Samuel J. Hoffman, Billy May | A Major | 2 | 11B | 83 BPM | ||
| Metropolis, Op. 29, Act I "Auftakt": Maschinen | Gottfried Huppertz, Deutsches Symphonie-Orchester Berlin, Frank Strobel | B Major | 1 | 1B | 132 BPM | ||
| Now, Voyager | Charles Gerhardt, National Philharmonic Orchestra | A Major | 3 | 11B | 101 BPM | ||
| Western Theme (From "Love Is a Funny Thing") | Francis Lai Orchestra, Francis Lai | A Minor | 2 | 8A | 73 BPM | ||
| Afternoon Outings / Sacrifice of Self-Respect | Franz Waxman | B♭ Major | 2 | 6B | 179 BPM | ||
| Bye Bye Charlie | Henry Mancini | A Minor | 2 | 8A | 81 BPM | ||
| Main Title | Leonard Rosenman | G Minor | 4 | 6A | 119 BPM | ||
| Twenty Inches! | Max Steiner | D Major | 2 | 10B | 137 BPM | ||
| Now Voyager - Main Theme - From "Now Voyager" | Max Steiner, Hollywood Bowl Orchestra, John Mauceri | B♭ Major | 1 | 6B | 110 BPM | ||
| Le dernier Mercuès | Vladimir Cosma, Orchestre Symphonique De Paris | F♯ Minor | 0 | 11A | 82 BPM | ||
| Otto e mezzo - Suite: 1. Titoli | Nino Rota, Filarmonica della Scala, Riccardo Chailly | E Major | 2 | 12B | 138 BPM | ||
| Making Headlines | Joel P West | A Minor | 2 | 8A | 73 BPM | ||
| Nobody Understands (Live) | Hermanos Ferrando | E Major | 4 | 12B | 142 BPM | ||
| Hiroshima, mon Amour – part.2 | Giovanni Fusco | E Major | 0 | 12B | 66 BPM | ||
| Tryst | Fumio Hayasaka | E Major | 0 | 12B | 135 BPM | ||
| Medley: Paris Montage | The Warner Bros. Studio Orchestra | D♭ Major | 4 | 3B | 88 BPM | ||
| Puppet Love (From "Being John Malkovich") | Brussells Philharmonic, Dirk Brossé | E Minor | 2 | 9A | 138 BPM | ||
| Messiaen: Fête des belles eaux: VIII. Feux d'artifice final | Olivier Messiaen, Jeanne Loriod, Sextuor Jeanne Loriod | B Major | 2 | 1B | 172 BPM | ||
| Bloom | Fatemeh Ghavidel, Alicia | A Major | 3 | 11B | 82 BPM | ||
| Carmen-Fantasie | Georges Bizet, Isaac Stern, Franz Waxman | D Minor | 2 | 7A | 72 BPM | ||
| The Grotto | Original Soundtrack | E♭ Major | 2 | 5B | 80 BPM | ||
| The Hollow | Christopher Gunning, Rumon Gamba, BBC Philharmonic | F♯ Minor | 1 | 11A | 50 BPM | ||
| Peligros | Armonias | A Major | 6 | 11B | 120 BPM | ||
| Kay And Mike's Love Theme - From The "Jaws 3D" Soundtrack | Alan Parker | F Major | 1 | 7B | 72 BPM | ||
| The Creation | Franz Waxman | B Minor | 2 | 10A | 149 BPM |