On April 13, 1998, the song "Tappe Boliyan" was released by Surjit Bindrakhia. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 8 in Bhanven Kakh Na Rahe by Gurdas Maan, Kamaljeet Neelon, Surjit Bindrakhia. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Tappe Boliyan is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Tappe Boliyan by Surjit Bindrakhia is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Akh Naal Akh | Lovely Nirman | F♯ Major | 7 | 2B | 79 BPM | ||
| Russe Sajna Noon | Amar Arshi, Narinder Jot | B Minor | 8 | 10A | 113 BPM | ||
| Morni (New Year 2026 Special Boliyan) | Anmol Virk, Kaur Manjit | B Minor | 10 | 10A | 136 BPM | ||
| Deora Kivein Maujan Lutiyan | Amarjeet Nagina, Kiranjoti | B♭ Minor | 9 | 3A | 94 BPM | ||
| Chheti Kar Sarwan Putra - Remix | Kuldeep Manak | B Minor | 7 | 10A | 89 BPM | ||
| Aa Gai Roadways De | Muhammad Sadiq, Ranjit Kaur | C Major | 7 | 8B | 117 BPM | ||
| Laare Tere Nahi Mukne | Debi Makhsoospuri | D Minor | 6 | 7A | 78 BPM | ||
| Shiv Raat Diyaan Badhaaiyaan | Saleem | D♭ Major | 10 | 3B | 80 BPM | ||
| Chan Chak Hoya Hamla | Amarjit Nagina, Param Brar | B♭ Minor | 8 | 3A | 94 BPM | ||
| Chham Chham Roun Ankhiyaan | Hans Raj Hans | F♯ Major | 7 | 2B | 93 BPM | ||
| Mere Ghar Aa Baba | Jaswant Chamak | A♭ Major | 10 | 4B | 100 BPM | ||
| Nahir De Kande Khari Ik Mutair | Didar Sandhu, Amar Noorie | G Major | 3 | 9B | 131 BPM | ||
| Yaari - Tutdi Jinadi Yaari | Jassi Sohal | C Major | 9 | 8B | 90 BPM | ||
| Munda Haan Da | Jagga Safri, Kiranjoti | F Minor | 9 | 4A | 102 BPM | ||
| Tere Uttey Aa Gaya Dil | Karamjit Anmol | D♭ Minor | 8 | 12A | 82 BPM | ||
| Kinni Der | Debi Makhsoospuri | G Major | 9 | 9B | 80 BPM | ||
| Bhainan Di Arzoi | Surjit Bindrakhia | A♭ Major | 6 | 4B | 81 BPM | ||
| Sanjog | Baljit Malwa | F♯ Minor | 9 | 11A | 82 BPM | ||
| Berha Paar Kar Lai | Jaswant Chamak | A♭ Major | 10 | 4B | 100 BPM | ||
| Bhabiye Ni | Bhupinder Gill | C Major | 9 | 8B | 82 BPM | ||
| Munda Laigeya Nazare | Avtar Chamak | A♭ Major | 9 | 4B | 100 BPM | ||
| Do Eko Jahiyan Mutiaran | Didar Sandhu, Amar Noorie | G Major | 3 | 9B | 131 BPM | ||
| Tere Subedaar Veer Naalon | Amarjeet Nagina, Param Brar | B♭ Minor | 8 | 3A | 90 BPM | ||
| Gallbaat | Bhupinder Gill, Miss Neelam | D Minor | 6 | 7A | 72 BPM | ||
| Tere Ton Bagair | Nirmal Sidhu | B♭ Minor | 5 | 3A | 88 BPM |