Rakesh Kala's ' "Tu Sai Sai Bol Na Lage Tera Mole" was released on its scheduled release date, March 14, 2015. This song is about six minutes long, preciously at 5:46, making this song fairly long compared to other songs. The track order of this song in Rakesh Kala's "Lete Rahenge Tera Naam Sai" album is number 7 out of 7. On top of that, India appears to be the country where this track was created. In terms of popularity, Tu Sai Sai Bol Na Lage Tera Mole is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Tu Sai Sai Bol Na Lage Tera Mole by Rakesh Kala to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mata Sherawali | Surabhi Dhomne, Bhagyashree Baraskar | D Major | 8 | 10B | 106 BPM | ||
| Sakhi ri mero RadhaRaman | Harinaam Das | F♯ Minor | 6 | 11A | 168 BPM | ||
| Hey Naam Re | Kishan Bhagat, Pankaj Budrani | F♯ Major | 8 | 2B | 150 BPM | ||
| Kirtan Ki Hai Raat Baba Aaj Thane Aano Hai | Mithlesh Sharma | A♭ Major | 6 | 4B | 153 BPM | ||
| Radha Raman Mere Ghar Aavenge | Harinaam Das | E Minor | 9 | 9A | 111 BPM | ||
| Hanuman Tumhara Kya Kehna | Lakhbir Singh Lakkha | B♭ Major | 6 | 6B | 113 BPM | ||
| Mantra Pushpanjli | Pujya Bhaishree Rameshbhai Ojha | A♭ Major | 4 | 4B | 132 BPM | ||
| Mera Aapki Kripa Se | Bhaiya Krishan Das Ji | B Major | 8 | 1B | 139 BPM | ||
| Jhoom Jhoom Naache Dekho Bhakt Hanumana | Lakhbir Singh Lakkha | D♭ Major | 5 | 3B | 134 BPM | ||
| Radha Rani Tum Ho | Shridhay Shri Mridul krishna shastri ji maharaj | A♭ Major | 7 | 4B | 147 BPM | ||
| He Dukh Bhanjan | Rakesh Kala | F♯ Major | 2 | 2B | 129 BPM | ||
| Meri Bhavna | Rupak Jain, Chetna Shukla | E♭ Minor | 4 | 2A | 132 BPM | ||
| Saraswati Vandana | Prem Prakash Dubey | B♭ Major | 6 | 6B | 135 BPM | ||
| Bala Ji Sarkar | Rakesh Kala | F♯ Major | 7 | 2B | 100 BPM | ||
| KARUNA KARO KASHT HARO | Anika Agrawal | D♭ Major | 7 | 3B | 138 BPM | ||
| Jai Radhe Jai Radhe Jai Shri Krishan | Pt. Gyanendra Sharma | D Minor | 7 | 7A | 89 BPM | ||
| He Ram Tum Bade Dayalu Ho | Anil Hanslas | G Minor | 6 | 6A | 78 BPM | ||
| Shree Shiv Manas Pooja | Pujya Bhaishree Rameshbhai Ojha | E♭ Major | 4 | 5B | 141 BPM | ||
| Panda Karaya Raho | Shahnaaz Akhtar | E♭ Minor | 7 | 2A | 116 BPM | ||
| Radhaji Na Dadaji Ae | Master Rana | B♭ Minor | 6 | 3A | 110 BPM | ||
| Aali Ri Mohe Laage Laage Vrindavan Neeko | Madhavas Rock Band | C Major | 9 | 8B | 99 BPM | ||
| Vishnu Chalisa | Rakesh Kala | D♭ Major | 8 | 3B | 95 BPM | ||
| Tune Mujhe Bulaya | Kunal Chanchal | F Major | 9 | 7B | 84 BPM | ||
| Mamta Maayi Maa | Shahnaz Akhtar | E♭ Major | 7 | 5B | 100 BPM | ||
| Mahakal Damru Wala | Sunny Albela | E Major | 6 | 12B | 90 BPM |