P. B. Sreenivas, Pithapuram Nageswara Rao's ' "Hallo Madam" was released on its scheduled release date, December 31, 1966. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in M. S. Viswanathan's "Letha Manasulu" album is number 4 out of 9. On top of that, India appears to be the country where this track was created. Based on our statistics, Hallo Madam's popularity is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Hallo Madam by P. B. Sreenivas, Pithapuram Nageswara Rao to be Allegro (fast, quick, and bright) because the track has a tempo of 151 BPM, a half-time of 76BPM, and a double-time of 302 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aadi Adangum | Sirkazhi Govindarajan | G Major | 2 | 9B | 87 BPM | ||
| Valarntha Kalai | P. B. Sreenivas, P. Susheela | G Minor | 4 | 6A | 141 BPM | ||
| Odum Megangalae | T. M. Soundararajan | B♭ Major | 5 | 6B | 125 BPM | ||
| Neenga Nallairukkanum | Sirkazhi Govindarajan | F Major | 4 | 7B | 122 BPM | ||
| Hello My Dear Raani | J. P. Chandrababu | A Major | 6 | 11B | 171 BPM | ||
| Brundha Vanamum | A. M. Rajah, P. Susheela | E Minor | 7 | 9A | 163 BPM | ||
| Naalam Naalam | P. Susheela, P. B. Sreenivas | B♭ Major | 5 | 6B | 129 BPM | ||
| Manmatha Leelayai | M. K. Thyagaraja Bhagavathar | B Major | 4 | 1B | 94 BPM | ||
| Vaa Vaadhiyaare | V.Kumar, Vaali | F♯ Major | 4 | 2B | 168 BPM | ||
| Adi Ennadi Ulagam | L. R. Eswari | B♭ Major | 6 | 6B | 180 BPM | ||
| Tu Tu Tu Tu | Mano, Latha Hamsalekha, Hamsalekha | C Minor | 5 | 5A | 157 BPM | ||
| Aha Mogavu Entha Cheluvu | P. B. Sreenivas | C Minor | 3 | 5A | 135 BPM | ||
| Sree Rama Nee Nama | M. Balamuralikrishna | F Minor | 5 | 4A | 98 BPM | ||
| Poravalae Porava | Bhanumathi Ramakrishna, T. M. Soundararajan | D Major | 5 | 10B | 111 BPM | ||
| Soruthihudu | C. Ashwath | G Major | 4 | 9B | 134 BPM | ||
| Naa Mechchida Huduganige | S. Janaki | E Major | 4 | 12B | 93 BPM | ||
| Maalai Pozhuthin (From "Bhagyalakshmi") | P. Susheela | G Major | 4 | 9B | 105 BPM | ||
| Mandara Pushpavu Neenu | P. Jayachandran, S. P. Sailaja | B♭ Minor | 7 | 3A | 123 BPM | ||
| Yellaru Maduvudu | Dr. Rajkumar, T.G. Lingappa, Kanaka Daasaru | F Minor | 5 | 4A | 156 BPM | ||
| Kurubanillada | Dr. Rajkumar | F♯ Minor | 8 | 11A | 95 BPM | ||
| Kaikotti Sirippaargal | Sheik Mohammed | D♭ Major | 8 | 3B | 102 BPM | ||
| Eedattra Paththiniyin | C. S. Jayaraman | D Major | 5 | 10B | 111 BPM | ||
| Neeyo Naano | Jamuna Rani, P. Susheela, P. B. Sreenivas | B♭ Minor | 2 | 3A | 167 BPM | ||
| Ponaal Pogattum | T. M. Soundararajan | C Major | 6 | 8B | 161 BPM | ||
| Are Emiti Lokam | L. R. Eswari | B♭ Major | 9 | 6B | 178 BPM |