"Five Movements for String Quartet, Op. 5: I. Heftig bewegt" by Anton Webern, Leonkoro Quartet had its release date on January 23, 2026. The duration of This song is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Five Movements for String Quartet, Op. 5: I. Heftig bewegt's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Out of Vienna". In this album, this song's track order is #12. Furthermore, we believe that the track originated from France. Five Movements for String Quartet, Op. 5: I. Heftig bewegt is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Five Movements for String Quartet, Op. 5: I. Heftig bewegt by Anton Webern, Leonkoro Quartet having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| String Quartet in G Minor, Op. 10, L. 85: I. Animé et très décidé | Claude Debussy, Belcea Quartet | C Major | 2 | 8B | 85 BPM | ||
| Meine Seele erhebt den Herren, BWV 648 (Arr. Thomas for Piano Trio) | Johann Sebastian Bach, Fred Thomas, Aisha Orazbayeva, Lucy Railton | C Major | 0 | 8B | 72 BPM | ||
| Klavierstück IV | Karlheinz Stockhausen, Miharu Ogura | F Minor | 0 | 4A | 83 BPM | ||
| Piano Quintet in G Minor, Op. 57: II. Fugue | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | C Minor | 1 | 5A | 141 BPM | ||
| Advertisement | Henry Cowell | G Major | 5 | 9B | 113 BPM | ||
| Quatuor pour la fin du Temps: V. Louange à l’Éternité de Jésus | Olivier Messiaen, Louise Bessette, Cameron Crozman | C Major | 0 | 8B | 77 BPM | ||
| Le triomphe de Bacchus, L. 38, CD 33: I. Divertissement. Allegro (Version for Piano 4 Hands) | Claude Debussy, Genova and Dimitrov Piano Duo | C Major | 0 | 8B | 77 BPM | ||
| Quatuor en Fa Majeur, M. 35: I. Allegro moderato | Maurice Ravel, Jerusalem Quartet | F Major | 1 | 7B | 92 BPM | ||
| Concerto for 2 Pianos and Orchestra: IV. Finale alla Tedesca | Ralph Vaughan Williams, Tal & Groethuysen, Douglas Boyd | D♭ Major | 0 | 3B | 87 BPM | ||
| Three Piano Pieces, Op. 11: Massig | Arnold Schoenberg, Paul Jacobs | A Major | 0 | 11B | 144 BPM | ||
| Ives: Set No. 6 for Chamber Orchestra "From the Side Hill": I. Mists | Charles Ives, Ensemble Modern, Ingo Metzmacher | E♭ Major | 1 | 5B | 131 BPM | ||
| Aria | Euchar Gravina, Stefan Calleja, London Symphony Orchestra, Miran Vaupotić | C Major | 0 | 8B | 77 BPM | ||
| Nielsen: 5 Piano Pieces, Op. 3: No. 1, Folk Tune | Carl Nielsen, Leif Ove Andsnes | C Major | 0 | 8B | 76 BPM | ||
| Piano Trio in G Minor, Op. 3: I. Pas trop lent – Animé | Ernest Chausson, Beaux Arts Trio | E♭ Major | 1 | 5B | 111 BPM | ||
| Enescu : Orchestral Suite No.3 in D major Op.27, 'Villageoise' : IV River in the Moonlight | George Enescu, Lawrence Foster, Monte-Carlo Philharmonic Orchestra | F Minor | 1 | 4A | 71 BPM | ||
| Piesn Roksany - Transcription for violin and Piano: Paul Kochanski | Karol Szymanowski, Kaja Danczowska, Krystian Zimerman | D♭ Major | 0 | 3B | 76 BPM | ||
| Ravel: Berceuse sur le nom de Fauré, M. 74 | Maurice Ravel, Jean-Jacques Kantorow, Jacques Rouvier | C Major | 0 | 8B | 77 BPM | ||
| Stille Musik: I. Walzer des Augenblicks | Valentin Silvestrov, Munich Chamber Orchestra | A Minor | 0 | 8A | 60 BPM | ||
| Quatuor pour la fin du Temps: VIII. Louange à l'immortalité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 76 BPM | ||
| Moon Ritual | Luna Mystic | D Minor | 1 | 7A | 84 BPM | ||
| Violin Concerto in D Major, Op. 35: II. Romanze. Andante | Erich Wolfgang Korngold, Vadim Gluzman, Hague Residentie Orchestra, Neeme Järvi | G Major | 0 | 9B | 86 BPM | ||
| Summer Music, Op. 31: IV. Tempo Primo, Joyous and Flowing | Samuel Barber, Ensemble Ouranos | C Major | 0 | 8B | 77 BPM | ||
| Quartet, Op. 22 for Violin, Clarinet, Saxophone & Piano: I. Sehr mässig | Anton Webern, Ensemble Intercontemporain, Pierre Boulez, Pierre-Laurent Aimard | D♭ Major | 0 | 3B | 115 BPM | ||
| Five Movements, Op. 5: IV. Sehr langsam | Anton Webern, Schoenberg Quartet | E Minor | 0 | 9A | 71 BPM | ||
| Sonate, Op. 71: II. Nocturne – Presque adagio | Charles Koechlin, Julien Hardy, Simon Zaoui | E♭ Major | 0 | 5B | 77 BPM |