On September 25, 2020, the song "Ore Sabdhani Pathik" was released by Debabrata Biswas. The duration of This song is about 3 minutes long, at 3:02. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 31 out of 38 in Aapan Praner Dhan - Debabrata Biswas, Vol. 3 and Vol.4 by Rabindranath Tagore, Debabrata Biswas, Aditi Sengupta. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Ore Sabdhani Pathik's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Ore Sabdhani Pathik by Debabrata Biswas is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mon Keno Mayer Charanchhara | Dhananjay Bhattacharya | A♭ Major | 5 | 4B | 87 BPM | ||
| Ekhono Sarengita Bajchhe | Haimanti Sukla | D♭ Major | 4 | 3B | 81 BPM | ||
| Mon Goriber Ki Dosh | Dhananjay Bhattacharya | D Major | 5 | 10B | 64 BPM | ||
| Amar Hiyar Majhe Lukiye Chhile | Sagar Sen | B♭ Major | 1 | 6B | 162 BPM | ||
| Esechhile Tabu Aso Nai | Debabrata Biswas | F♯ Major | 2 | 2B | 149 BPM | ||
| Amar Sonar Harin Chai | Uttam Kumar | F Major | 2 | 7B | 64 BPM | ||
| Oi Mahasindhur Opar Theke | Manna Dey | D♭ Major | 5 | 3B | 85 BPM | ||
| Noy Noy E Madhur Khela Tomay | Subhamita | F Major | 5 | 7B | 79 BPM | ||
| Tomar Samadhi Phule Phule Dhaka - Antaral | Salil Mitra | F Major | 2 | 7B | 121 BPM | ||
| Shyama Maa Tor Charan Tole | Swaraj Roy | A Major | 3 | 11B | 63 BPM | ||
| Emon Anek Kathai Bol Tumi | Satinath Mukherjee | E♭ Major | 3 | 5B | 101 BPM | ||
| Shokatore Oi Kadite | Rezwana Choudhury Bannya | D♭ Major | 4 | 3B | 138 BPM | ||
| Jiboner Golpo | Abdul Hadi, Monir Khan, Abida Sultana | E♭ Major | 5 | 5B | 192 BPM | ||
| Chinechhi Chinechhi Tomar E Mon Lukiye Reko Na (Mono) | Aarti Mukherji | D Minor | 2 | 7A | 78 BPM | ||
| Takar Jonno She Amare | Hamid Ali | E Minor | 8 | 9A | 136 BPM | ||
| Thakto Jodi Premer Adalot | Kanak Chapa | F Minor | 6 | 4A | 167 BPM | ||
| E Monihar Amay | Debabrata Biswas | B Major | 3 | 1B | 92 BPM | ||
| Shikwa Na Kar Gila Na Kar | Mehdi Hassan | F♯ Minor | 4 | 11A | 166 BPM | ||
| Ekkhana Megh Bhese Elo Akashe | Bhupen Hazarika | B♭ Major | 1 | 6B | 138 BPM | ||
| Aar Janame Jaba Haba | Parikshit Bala | D♭ Minor | 1 | 12A | 83 BPM | ||
| Chander Gaye Chand Legechhe | Gostho Gopal Das | A Major | 5 | 11B | 131 BPM | ||
| Bologo Thakur | Mahesh Ranjan Shome | F♯ Minor | 5 | 11A | 175 BPM | ||
| Mayaboti Meghe Elo Tandra | Sandhya Mukherjee | D Major | 5 | 10B | 160 BPM | ||
| Jago He Nagar Basi | Amar Pal | C Major | 3 | 8B | 116 BPM | ||
| Prabhu Amar Priyo Amar | Debabrata Biswas | A Major | 4 | 11B | 117 BPM |