On 1974, the song "Ladies Love Outlaws" was released by Tom Rush. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Ladies Love Outlaws's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Tom Rush's "Ladies Love Outlaws" album is number 1 out of 10. Based on our statistics, Ladies Love Outlaws's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Ladies Love Outlaws by Tom Rush to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sleeper | Greg Brown | A Major | 2 | 11B | 97 BPM | ||
| April Come She Will | Tracy Grammer | B Major | 2 | 1B | 177 BPM | ||
| Always by Our Side | Stephen Mojo | F♯ Major | 4 | 2B | 84 BPM | ||
| Blue Car | Greg Brown | D Major | 4 | 10B | 98 BPM | ||
| Seven Bridges Road - 1981 Version | Steve Young | E Major | 3 | 12B | 179 BPM | ||
| I Should Have Said | Bap Kennedy | C Major | 2 | 8B | 82 BPM | ||
| Close The Door Lightly | Eric Andersen | D Major | 4 | 10B | 75 BPM | ||
| One Time and One Time Only | Tom Paxton | F Major | 4 | 7B | 79 BPM | ||
| Wind On The Water | Tom Rush | C Major | 1 | 8B | 168 BPM | ||
| Kids These Days | Tom Rush | B Minor | 5 | 10A | 78 BPM | ||
| Prairie In The Sky | Mary McCaslin | A Major | 2 | 11B | 57 BPM | ||
| Blues on the Ceiling | Fred Neil | G Major | 4 | 9B | 115 BPM | ||
| The Sea | Fotheringay | A Major | 4 | 11B | 129 BPM | ||
| Leaving London | Tom Paxton | A♭ Major | 3 | 4B | 82 BPM | ||
| Dallas | The Flatlanders | E Major | 4 | 12B | 115 BPM | ||
| Last Of The Hobo Kings | Mary Gauthier | D♭ Major | 5 | 3B | 83 BPM | ||
| You Never Wanted Me | Sandy Denny | D Major | 1 | 10B | 82 BPM | ||
| Genesis | Jorma Kaukonen | E Major | 3 | 12B | 84 BPM | ||
| I'll Be All Right | Jorma Kaukonen | G Major | 2 | 9B | 89 BPM | ||
| Sabine River | Ray Bonneville | A♭ Major | 4 | 4B | 106 BPM | ||
| Other Side to This Life | Fred Neil | G Major | 3 | 9B | 136 BPM | ||
| Cold & Bitter Tears | Ted Hawkins | B♭ Major | 3 | 6B | 135 BPM | ||
| Till I'm Too Old to Die Young (feat. Fats Kaplin) | Kieran Kane, Kevin Welch, Fats Kaplin | D Major | 3 | 10B | 81 BPM | ||
| Third Rate Romance | Jesse Winchester | A Major | 6 | 11B | 109 BPM | ||
| Biloxi | Ted Hawkins | F♯ Major | 3 | 2B | 107 BPM |