"Unclouded Day - Live" by Shawn Kirchner, Evoco Voice Collective Mixed Ensemble, David Fryling had its release date on May 22, 2022. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Unclouded Day - Live's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Evoco Voice Collective Mixed Ensemble, David Fryling's "Messages to Myself" album is number 11 out of 11. On top of that, United States appears to be the country where this track was created. Based on our statistics, Unclouded Day - Live's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Unclouded Day - Live by Shawn Kirchner, Evoco Voice Collective Mixed Ensemble, David Fryling to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Come to Me, My love | Norman Dello Joio, The Choral Project | F Major | 0 | 7B | 66 BPM | ||
| There We Shall Rest | Kim André Arnesen, Kantorei, Joel Rinsema | C Major | 1 | 8B | 76 BPM | ||
| Missa Festiva (Kyrie) | John Leavitt, Pěvecký sbor Stojanova gymnázia Velehrad, Cimbálová muzika Stojanova gymnázia Velehrad | E Minor | 3 | 9A | 80 BPM | ||
| Love Never Leaves | Jacob Narverud | G Major | 1 | 9B | 106 BPM | ||
| I Will Be a Child of Peace (Version for Mixed Choir & Piano) | Elaine Hagenberg, Deanna Joseph, Georgia State University Singers, Jonathan Crutchfield | A♭ Major | 1 | 4B | 69 BPM | ||
| The Last Rose of Summer - Arr. for Choir and Ensemble by Vincent Lynch | The Choral Scholars of University College Dublin, Desmond Earley, Max O’Neill, Solstice Ensemble | A Major | 1 | 11B | 69 BPM | ||
| Miser On A Pile Of Gold | Shawn Kirchner | G Major | 7 | 9B | 132 BPM | ||
| Down in the River to Pray | Atlanta Master Chorale, Eric Nelson | G Major | 1 | 9B | 121 BPM | ||
| Requiem: Psalm 23 | Herbert Howells, Conspirare, Craig Hella Johnson | D Minor | 0 | 7A | 125 BPM | ||
| The Lamb | Kim André Arnesen, Kantorei, Joel Rinsema | D Major | 2 | 10B | 102 BPM | ||
| Entreat Me Not To Leave You | Salt Lake Vocal Artists | B♭ Minor | 2 | 3A | 79 BPM | ||
| How Can I Keep from Singing | The Singers - Minnesota Choral Artists & Matthew Culloton | F♯ Major | 1 | 2B | 106 BPM | ||
| The Three Hermits: Pilgrims' Hymn | Stephen Paulus, Westminster Williamson Voices, James Jordan | G Major | 0 | 9B | 134 BPM | ||
| Who Is He in Yonder Stall? | Robert H. Young, University of Northern Iowa Concert Chorale, Jenna Klein, John Len Wiles | G Major | 0 | 9B | 121 BPM | ||
| Psalm 27 | Edward Cutler, Choir of St John's, Elora, Michael Bloss, Noel Edison | A♭ Major | 1 | 4B | 126 BPM | ||
| The Blessing of Aaron | McFarland High School A Cappella Choir | D♭ Major | 1 | 3B | 85 BPM | ||
| Jerusalem the Golden | Alexander Ewing, The Choir of Sidney Sussex College, Cambridge, Jamal Sutton, David Skinner | C Major | 1 | 8B | 128 BPM | ||
| O Be Exalted High, O God (Psalm 57b) | Crown & Covenant | D Minor | 2 | 7A | 77 BPM | ||
| I Shall See (with The Singers) | Michael John Trotta, Matthew Culloton | E Major | 0 | 12B | 77 BPM | ||
| All Too Soon (feat. Stephen Hatfield) | Amabile Choirs of London, Canada, Stephen Hatfield | D Major | 3 | 10B | 124 BPM | ||
| Still I Rise | Rosephanye Powell, Bella Voce, Dr. Bret Amundson | E♭ Major | 2 | 5B | 129 BPM | ||
| I Want to Fly | The West Coast Mennonite Chamber Choir | G Major | 1 | 9B | 144 BPM | ||
| Unto the Hills I Lift My Longing Eyes (Psalm 121c) | Crown & Covenant | F Major | 1 | 7B | 83 BPM | ||
| Where The Light Begins - Live | Susan LaBarr, MAS Vocal, Ryan Ellis, Cindy Ellis | C Major | 1 | 8B | 69 BPM | ||
| Waltzing Matilda | Ruth McCall, Exaudi, Mark O'Leary | F♯ Minor | 0 | 11A | 86 BPM |