"A Gaelic Blessing" by John Rutter, Aled Jones, St. Paul's Cathedral Choir, Cathedral Choristers of Britain, Simon Johnson, Andrew Carwood had its release date on March 17, 2017. The duration of This song is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. A Gaelic Blessing's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in St. Paul's Cathedral Choir, Cathedral Choristers of Britain, Aled Jones, Andrew Carwood's "Jubilate - 500 Years Of Cathedral Music" album is number 18 out of 18. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, A Gaelic Blessing's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of A Gaelic Blessing by John Rutter, Aled Jones, St. Paul's Cathedral Choir, Cathedral Choristers of Britain, Simon Johnson, Andrew Carwood to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mary's Magnificat - 2022 Remastered Version | St. Patrick Orthodox Church Choir | D♭ Major | 4 | 3B | 81 BPM | ||
| The Shepherd's Carol | Bob Chilcott, Utah State University Chamber Singers, Cory Evans | D Major | 0 | 10B | 110 BPM | ||
| Brewer: Magnificat in D | Blackburn Cathedral Choir, Blackburn Cathedral Girls' Choir, The Renaissance Singers of Blackburn Cathedral | D Major | 1 | 10B | 92 BPM | ||
| Reaching: Reaching | Craig Hella Johnson, Conspirare, Haitham Haidar, Simon Barrad | E♭ Major | 2 | 5B | 76 BPM | ||
| Ad Pacem (Towards Peace) | Karl Jenkins, World Orchestra For Peace, World Choir for Peace, Nicol Matt, Alexander Duggan, Jody Jenkins | D Major | 0 | 10B | 83 BPM | ||
| The Ballad of the Brown King: II. They Brought Fine Gifts | Margaret Bonds, The Dessoff Choirs, Malcolm J. Merriweather, The Dessoff Orchestra | A♭ Major | 2 | 4B | 88 BPM | ||
| Bow Thine Ear, O Lord | William Byrd, The Cambridge Singers, John Rutter | D♭ Major | 1 | 3B | 128 BPM | ||
| Five Bagatelles, Op. 23 - Arr. Ashmore, Dickson: 3. Carol | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | B♭ Major | 1 | 6B | 80 BPM | ||
| The Falcon: The Falcon: III. Passacaglia | John Rutter, City of London Sinfonia, St. Paul's Cathedral Choir, Andrew Lucas, The Cambridge Singers | F Major | 3 | 7B | 77 BPM | ||
| Ubi caritas | Paul Mealor, John Rutter, The Cambridge Singers, Alison Hill | D Major | 2 | 10B | 108 BPM | ||
| To Seek Where Shadows Are: III. In The Bleak Midwinter | Paul Mealor, Voce, Mark Singleton | B Major | 0 | 1B | 137 BPM | ||
| Ave Maria, Angelus Domini | Voices Of The Cathedral | B Major | 2 | 1B | 77 BPM | ||
| Lord, Make Me an Instrument of Thy Peace | John Rutter, City of London Sinfonia, The Cambridge Singers | E Major | 0 | 12B | 85 BPM | ||
| Joyful, Joyful We Adore Thee | Henry Van Dyke, Ludwig van Beethoven, Edward Hodges, Choir of Jesus College, Cambridge, Richard Pinel | A Major | 2 | 11B | 112 BPM | ||
| Intermezzo sinfonico, from Symphonic Poetry | State R&T Symphony Orchestra Moscow | F Major | 3 | 7B | 79 BPM | ||
| Ave verum, Op. 65 No. 1 | Gabriel Fauré, John Rutter, John Scott, The Cambridge Singers | G Major | 1 | 9B | 83 BPM | ||
| 7 Magnificat Antiphons: No. 1. O Weisheit | Arvo Pärt, Junger Kammerchor Rhein-Neckar, Mathias Rickert | D Major | 0 | 10B | 73 BPM | ||
| Eternal Rest | James Whitbourn, Commotio, Henry Parkes, Matthew Berry | G Major | 1 | 9B | 128 BPM | ||
| While by My Sheep | The Choirs of Our Lady of Mount Carmel Church | A Minor | 3 | 8A | 126 BPM | ||
| Ave Maria for 4 Voices | Tomás Luis de Victoria, The Cambridge Singers, John Rutter | D♭ Major | 3 | 3B | 138 BPM | ||
| Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM | ||
| All-night Vigil, Op. 37: No. 6, Rejoice, O Virgin "Ave Maria" | Sergei Rachmaninoff, MDR Rundfunkchor, Risto Joost | D Major | 2 | 10B | 102 BPM | ||
| Who is Sylvia?, Op.18, No.2 - Instrumental | Gerald Finzi, Nicolas Fleury, Aurora Orchestra, Nicholas Collon | E♭ Major | 1 | 5B | 138 BPM | ||
| Whitacre: The Seal Lullaby | Eric Whitacre, Eric Whitacre Singers | D♭ Major | 0 | 3B | 66 BPM | ||
| The Tempest Suite No. 1, Op. 109, No. 2: I. The Oak Tree | Jean Sibelius, Lahti Symphony Orchestra, Okko Kamu | B♭ Major | 0 | 6B | 86 BPM |