A Place in Time's ' "Telephone Lines" was released on its scheduled release date, November 5, 2013. The duration of This song is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Telephone Lines's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 4 in the song's album "The Directive vs. A Place in Time". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. The popularity of Telephone Lines is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Telephone Lines by A Place in Time having a BPM of 180 with a half-time of 90 BPM and a double-time of 360 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Open Air Reverb | Crimson Echo Cascade | E Minor | 9 | 9A | 132 BPM | ||
| Ghosting Myself | Hitting Home | G Major | 10 | 9B | 175 BPM | ||
| Woodlake | The New Varsity | E♭ Major | 9 | 5B | 156 BPM | ||
| Cashing Cheques | Me Vs Hero | D♭ Major | 9 | 3B | 175 BPM | ||
| Telephone Toughguy | Kid Liberty | A♭ Major | 9 | 4B | 158 BPM | ||
| 3D | All Hype | A♭ Major | 10 | 4B | 106 BPM | ||
| Chunky Monkey | AITA | E Major | 10 | 12B | 170 BPM | ||
| Gridlock Runner | The Framed Lines | G Minor | 6 | 6A | 76 BPM | ||
| Circadian Rhythms | Arsel Arcaya | B Minor | 9 | 10A | 93 BPM | ||
| Slick Move, Slugger! | No! Not the Bees! | C Major | 9 | 8B | 160 BPM | ||
| She's an Outcast | Princewhateverer, Dbpony, MelodyBrony | B Minor | 9 | 10A | 93 BPM | ||
| Getting Kicked In The Face Has Never Been So Much Fun | Veara | C Major | 9 | 8B | 96 BPM | ||
| Kuala Loner | NRTHBND | D Major | 5 | 10B | 180 BPM | ||
| Spark Plug | The New Varsity | A♭ Major | 10 | 4B | 160 BPM | ||
| Face Value | With the Punches | C Major | 10 | 8B | 90 BPM | ||
| Growing Apart | Near Mint | G Major | 10 | 9B | 120 BPM | ||
| World in Grey | Between You & Me | A♭ Major | 9 | 4B | 130 BPM | ||
| Game On | Fight Fair | D♭ Major | 9 | 3B | 99 BPM | ||
| Crack in the Coffin | Facing Infamy | A♭ Minor | 9 | 1A | 82 BPM | ||
| Better Than My Yesterdays | Across the Atlantic | C Major | 10 | 8B | 145 BPM | ||
| Blood for My Eyes | André V | D♭ Major | 7 | 3B | 95 BPM | ||
| Cigarettes & Strong Perfumes | Underclass | B Major | 8 | 1B | 142 BPM | ||
| Farewell to the Forgotten | Hitting Home | C Major | 10 | 8B | 175 BPM | ||
| Prosper | Gold Route | D♭ Major | 9 | 3B | 195 BPM | ||
| Dear Dad | J-ROD | E Minor | 7 | 9A | 75 BPM |