"Aftermath Thoughts" by Moritz Bintig, Francisco Becker had its release date on January 9, 2015. The duration of This song is about 3 minutes long, at 3:04. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 12 in Conflicts and Resolutions by Moritz Bintig, Francisco Becker. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Aftermath Thoughts's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Aftermath Thoughts by Moritz Bintig, Francisco Becker is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Huellas Dactilares | Los Elocuentes | D♭ Minor | 1 | 12A | 78 BPM | ||
| Whip up the Crowd | Adix, Moritz Bintig, VIBINDEEP | B♭ Minor | 6 | 3A | 97 BPM | ||
| Dragonfly | Koda Bark | A♭ Major | 3 | 4B | 95 BPM | ||
| Lost City Combat at Day | Gareth Coker | E Minor | 2 | 9A | 132 BPM | ||
| River Flow | Ramona Dives, Moritz Bintig | D Minor | 4 | 7A | 90 BPM | ||
| Take the Offensive | Alan Reed, Keith Morrissey, Lukas Blecks, Moritz Bintig | G Major | 4 | 9B | 190 BPM | ||
| Contrastes | Moon Vagrants | B♭ Minor | 4 | 3A | 95 BPM | ||
| Doscientos Años Menos | Titanexx | A Minor | 2 | 8A | 69 BPM | ||
| Pasiones Y Ansias De Guerra | Ritmo De Batalla | A♭ Major | 2 | 4B | 120 BPM | ||
| Love Language | Nanny Jones, Nana Jones | C Major | 3 | 8B | 85 BPM | ||
| Floating Temples | Radha La Musa | D♭ Major | 2 | 3B | 138 BPM | ||
| Como Yo Soy | el jievo chin | A♭ Major | 4 | 4B | 160 BPM | ||
| Sentiero Maestoso | Sagrifizio | F♯ Major | 4 | 2B | 80 BPM | ||
| Lost | Linus Kuiiten | G Major | 4 | 9B | 81 BPM | ||
| Into the Deepness Blue | Francisco Becker Germain, Moritz Bintig | D Minor | 4 | 7A | 90 BPM | ||
| Sweet Nothings | Ricardo Morjona | F Major | 4 | 7B | 160 BPM | ||
| Winter Landscape | Moritz Bintig | B Minor | 9 | 10A | 160 BPM | ||
| Weary Trip | Francisco Becker, Moritz Bintig | G Minor | 2 | 6A | 73 BPM | ||
| Always Forever | Naomi Chinenye, KOOKA | E Major | 2 | 12B | 62 BPM | ||
| Life Is Good | Aleksey Voron | F Major | 5 | 7B | 105 BPM | ||
| Who Am I to You | Moritz Bintig, Emilie Sandin | E Minor | 2 | 9A | 132 BPM | ||
| I Will Never Forget You | Amanda Scootth | A♭ Major | 3 | 4B | 100 BPM | ||
| Dando Vida | Hasta El Final | A Minor | 1 | 8A | 146 BPM | ||
| The Day Begins | IMAscore B-Sides | C Major | 5 | 8B | 170 BPM | ||
| Final Tale | Farid Puber | D♭ Major | 3 | 3B | 80 BPM |