Scott Matthew, Ian Matthew's 'Help Me Make It Through the Night' had a release date set for June 28, 2013. The duration of This song is about 3 minutes long, at 3:07. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 18 in the song's album "Unlearned". In this album, this song's track order is #6. Help Me Make It Through the Night is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Help Me Make It Through the Night by Scott Matthew, Ian Matthew having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Truce | Rodrigo Leão, Scott Matthew | A♭ Minor | 2 | 1A | 80 BPM | ||
| You Cut Her Hair - 2020 Remaster | Tom McRae | D Major | 3 | 10B | 126 BPM | ||
| The Sound of Music | Laibach | F Major | 4 | 7B | 170 BPM | ||
| Wild | Poe | B♭ Minor | 8 | 3A | 162 BPM | ||
| Rat Bastards at Every Turn | Pluralone | A Minor | 8 | 8A | 171 BPM | ||
| A History Of Holes | Nine Horses | G Minor | 4 | 6A | 109 BPM | ||
| The Spine | Darren Korb, Ashley Barrett | D♭ Major | 8 | 3B | 135 BPM | ||
| Worse Than Yesterday | Tweaker, Mellowdrone | E Minor | 5 | 9A | 110 BPM | ||
| I'm Not Driving Anymore | Rob Dougan | D♭ Major | 7 | 3B | 169 BPM | ||
| Love Will Tear Us Apart | Scott Matthew | D Major | 1 | 10B | 80 BPM | ||
| Born Yesterday | Rob Dougan | F Minor | 7 | 4A | 139 BPM | ||
| The Flame | Keiko Lee | B♭ Minor | 7 | 3A | 108 BPM | ||
| VOICES | 新居昭乃 | C Major | 2 | 8B | 140 BPM | ||
| Epilogue (Will the Circle Be Unbroken) | Troy Baker | C Major | 2 | 8B | 72 BPM | ||
| Rain(demo ver.) | SEATBELTS | B♭ Major | 2 | 6B | 72 BPM | ||
| White Horse | Scott Matthew | G Major | 6 | 9B | 77 BPM | ||
| Starálfur | Sigur Rós | E♭ Major | 4 | 5B | 138 BPM | ||
| Right Where It Belongs | Nine Inch Nails | F Major | 4 | 7B | 140 BPM | ||
| Careless Whisper | Get Well Soon | F♯ Minor | 5 | 11A | 115 BPM | ||
| Ergo Proxy Opening Kiri | Daniel Grimsby | D Major | 2 | 10B | 102 BPM | ||
| スタミナ・ローズ | Gabriela Robin | G Major | 8 | 9B | 127 BPM | ||
| Green Bird | Gabriela Robin | F Major | 1 | 7B | 125 BPM | ||
| Industry | Mire Kay | B♭ Major | 3 | 6B | 89 BPM | ||
| Aurora | Origa | F Minor | 7 | 4A | 140 BPM | ||
| player | Origa, Heartsdales | F♯ Minor | 9 | 11A | 168 BPM |