Thomas Rath's ' "Happy Days" was released on its scheduled release date, April 11, 2014. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Happy Days's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Thomas Rath's "Hypenotics" album is number 11 out of 13. On top of that, United States appears to be the country where this track was created. Based on our statistics, Happy Days's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Happy Days by Thomas Rath to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Analizador Sintático | Pessoas Que Eu Conheço | G Minor | 6 | 6A | 114 BPM | ||
| Calm | Andi Frohv | G Minor | 6 | 6A | 114 BPM | ||
| Come With Me To Oviedo | Jazzpospolita | G Minor | 6 | 6A | 114 BPM | ||
| Obsidian Omens Origin | Rusthaze Sentinel | B♭ Minor | 8 | 3A | 137 BPM | ||
| little miss primm | puntero | F Major | 7 | 7B | 155 BPM | ||
| Go to the Principal's Office (Lo-Fi) | The McCluer Brothers | B Minor | 5 | 10A | 160 BPM | ||
| Elevator Heights | Anton Abraham Nishan Abdalla | F Minor | 3 | 4A | 90 BPM | ||
| Dont Go Out | Thomas Rath | G Major | 7 | 9B | 95 BPM | ||
| Midnight | Eaprirbae | C Minor | 4 | 5A | 120 BPM | ||
| May the Circuit Be Unbroken (Lo-Fi) | The McCluer Brothers | D Major | 2 | 10B | 140 BPM | ||
| Hypenotic | Thomas Rath | F Major | 7 | 7B | 159 BPM | ||
| Foreign Exchange (Lo-Fi) | The McCluer Brothers | D Minor | 5 | 7A | 171 BPM | ||
| Bells - Original Mix | Thomas Rath | E Major | 3 | 12B | 106 BPM | ||
| Aoki Stillness | Echoe of Kyoto | A♭ Major | 4 | 4B | 180 BPM | ||
| Crime Scene | Jo Sturgess | E Minor | 4 | 9A | 80 BPM | ||
| Die Abenteuer von Mr. Peabody Sherman - Teil 5 | Mr. Peabody & Sherman, Thomas Karallus, Thomas Rath, Hella von Sinnen, Andrea Sawatzki, Christian Berkel, Peter Rapp, Matze Knop, Joshua Wunder, Luisa Wietzorek | F Minor | 8 | 4A | 130 BPM | ||
| Resolution 15 | Orange Katt | C Major | 6 | 8B | 87 BPM | ||
| Voyages | Alex Brans | F Minor | 5 | 4A | 90 BPM | ||
| Ice_Crystal | DJ LA MAJIA | C Major | 7 | 8B | 168 BPM | ||
| Orchestral Man Hoovers In The Ark | Blue Summers | C Minor | 6 | 5A | 120 BPM | ||
| During the Last Rain | Luca Morselli | A Minor | 0 | 8A | 110 BPM | ||
| Welcome to the Metaverse - Piano Edit #1 | Abumbabeba, Luca Longoni | C Minor | 7 | 5A | 120 BPM | ||
| Andromeda | Zirilla | E Minor | 5 | 9A | 90 BPM | ||
| Plummet | 9 Lazy 9 | G Minor | 6 | 6A | 114 BPM | ||
| Photographic | Kevinart | F♯ Major | 5 | 2B | 123 BPM |