"エレジー 作品24" by G. フォーレ, スザンヌ・バスラー(チェロ), カール=アンドレアス・コリー(ピアノ) had its release date on July 25, 2013. This song is about six minutes long, preciously at 6:16, making this song fairly long compared to other songs. There is only one song in エレジー ~チェロ名曲集~, so we believe that "エレジー 作品24" is a single. エレジー 作品24 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of エレジー 作品24 by G. フォーレ, スザンヌ・バスラー(チェロ), カール=アンドレアス・コリー(ピアノ) is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 2つのメロディ, Op.3: 第1曲 へ調のメロディ | Anton Grigorievich Rubinshtein, Masako Ezaki | F Major | 1 | 7B | 91 BPM | ||
| 蝶々(《抒情小品集》第3集から)作品43の1 | エドヴァルド・グリーグ, Fujiko Hemming | F♯ Minor | 0 | 11A | 130 BPM | ||
| ます(シューベルト歌曲トランスクリプション S.564)(リスト) | Franz Liszt, Fujiko Hemming | D♭ Major | 1 | 3B | 169 BPM | ||
| 2 Waltzes, Op. 221: No. 2, Venus Valse, Boston-Valse | Marco Enrico Bossi, Gottlieb Wallisch | B♭ Major | 2 | 6B | 138 BPM | ||
| A Musical Snuff Box, Op. 32 | Anatoly Lyadov, 藤井一興 | A Major | 3 | 11B | 132 BPM | ||
| Piano Concerto No. 1 in C Minor, Op 33: III. Coda. Allegro molto | Nikolai Medtner, Geoffrey Tozer, Neeme Järvi, London Philharmonic Orchestra | F♯ Major | 1 | 2B | 105 BPM | ||
| ヴァイオリン・ソナタ イ長調: 第1楽章: Allegretto ben moderato | César Franck, Fumiaki Miura, Nobuyuki Tsujii | A Major | 1 | 11B | 78 BPM | ||
| Valse Mignonne, Op. 126 No.12 | Cécile Chaminade, Anna Miernik | F Major | 2 | 7B | 103 BPM | ||
| 展覧会の絵(キエフの大門) - Nobuyuki Tsujii Carnegie Hall debut Live | Nobuyuki Tsujii | B Minor | 1 | 10A | 94 BPM | ||
| 交響曲 第6番「田園)(ピアノ版) I. Allegro ma non troppo | L.van ベートーヴェン, 後藤泉(ピアノ) | F Major | 0 | 7B | 107 BPM | ||
| 夢のあとに | G. フォーレ, 岩黒綾乃(ユーフォニアム), 長崎麻里香(ピアノ) | F Major | 1 | 7B | 68 BPM | ||
| 夢のあとに | G. フォーレ, 花村恵理香(ヴァイオリン), 藤井一興(ピアノ) | B♭ Minor | 1 | 3A | 64 BPM | ||
| ツェルニー100番 練習曲(上) 15番アレグロ・モデラート | Carl Czerny, John O'Conor | D♭ Major | 2 | 3B | 68 BPM | ||
| 組曲 火の鳥, 王女たちのロンド (ホロヴォード舞曲) (1919年版) | Igor Stravinsky, Vladimir Ashkenazy, Iceland Symphony Orchestra | C Minor | 1 | 5A | 74 BPM | ||
| ピアノ協奏曲 第3番 ハ短調 作品37: 第2楽章: Largo | Ludwig van Beethoven, Nobuyuki Tsujii, シドニー・シンフォニー・オーケストラ, Vladimir Ashkenazy | A♭ Major | 0 | 4B | 168 BPM | ||
| Lyric Pieces Book 7, Op. 62: No. 1, Sylph | Edvard Grieg, Stephen Hough | E Minor | 0 | 9A | 140 BPM | ||
| 5 Lieder, Op. 105, No. 1. Wie Melodien zieht es mir: 5 Lieder, Op. 105: No. 1, Wie Melodien zieht es mir (Arr. For clarinet and piano) | Johannes Brahms, Martin Fröst, Roland Pöntinen | B Major | 0 | 1B | 68 BPM | ||
| Nocturne No. 1 in E-Flat Major. Molto moderato | John Field, John O'Conor | E♭ Major | 0 | 5B | 122 BPM | ||
| Clarinet Sonata in F Minor, Op. 120 No. 1: II. Andante un poco adagio | Johannes Brahms, Andreas Ottensamer, José Gallardo | F Major | 0 | 7B | 173 BPM | ||
| カルメン間奏曲 | Georges Bizet, 上野星矢 | B♭ Minor | 2 | 3A | 82 BPM | ||
| Oboe Sonata, FP 185: I. Élégie. Paisiblement | Francis Poulenc, Olivier Doise, Alexandre Tharaud | B♭ Minor | 0 | 3A | 66 BPM | ||
| 歌の翼に S547 | フェリックス・メンデルスゾーン, 田部京子 | G Major | 1 | 9B | 91 BPM | ||
| Nocturne No. 10 in E Minor. Adagio | John Field, John O'Conor | E Minor | 0 | 9A | 74 BPM | ||
| 愛の悲しみ(クライスラー/清塚信也 編) | Fritz Kreisler, Shinya Kiyozuka | A Minor | 0 | 8A | 70 BPM | ||
| Grand Duet in E-Flat Minor (Version for Harp & Piano): II. Adagio | John Thomas, Duo Praxedis | E♭ Minor | 1 | 2A | 60 BPM |