"Mayari" by TODAY IS THE DAY had its release date on July 20, 1999. Mayari is considered explicit and may contain foul language. This song is about 3 minutes and 22 seconds, which is about the average length of a typical song. The track order of this song in TODAY IS THE DAY's "In the Eyes of God" album is number 6 out of 20. Based on our statistics, Mayari's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mayari by TODAY IS THE DAY to be Allegro (fast, quick, and bright) because the track has a tempo of 145 BPM, a half-time of 72BPM, and a double-time of 290 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Riot Stairs | Deadguy | B Major | 10 | 1B | 92 BPM | ||
| Man the Ramparts | Botch | G Major | 10 | 9B | 159 BPM | ||
| A Leaden Stride to Nowhere | Discordance Axis | G Major | 8 | 9B | 131 BPM | ||
| I Wanna Be a Sex Symbol on My Own Terms | Botch | G Major | 10 | 9B | 159 BPM | ||
| Fire Drill | Kiss It Goodbye | A♭ Major | 9 | 4B | 145 BPM | ||
| Pieces of Quiet | Khanate | E♭ Major | 4 | 5B | 80 BPM | ||
| Brest | Hammerhead | A Minor | 9 | 8A | 147 BPM | ||
| Root of All Evil | TODAY IS THE DAY | F♯ Major | 3 | 2B | 153 BPM | ||
| Aurora | TODAY IS THE DAY | B♭ Major | 5 | 6B | 172 BPM | ||
| All This Is Yours | Hammerhead | G Major | 7 | 9B | 128 BPM | ||
| Anything Jesus Does, I Can Do Better | The Locust | A Minor | 10 | 8A | 147 BPM | ||
| Blame Me | Unsane | B Minor | 10 | 10A | 186 BPM | ||
| Clot | Breach | E♭ Major | 10 | 5B | 133 BPM | ||
| The Shower | Palehorse | F♯ Major | 7 | 2B | 124 BPM | ||
| J Is for Genius | Karp | A Major | 10 | 11B | 118 BPM | ||
| Running With Scissors | Deadguy | B Minor | 9 | 10A | 106 BPM | ||
| Women Dig It | Harvey Milk | B♭ Major | 5 | 6B | 78 BPM | ||
| Reoccurring Ache Of | Coalesce | D♭ Minor | 7 | 12A | 103 BPM | ||
| Crawlspace | Chat Pile | G Major | 7 | 9B | 151 BPM | ||
| Cockpit - Kiss the Shine | Cherubs | A Minor | 10 | 8A | 105 BPM | ||
| Blackhouse | Cherubs | B♭ Major | 7 | 6B | 108 BPM | ||
| Deepest Bluest | Nerver | C Major | 8 | 8B | 129 BPM | ||
| What Happens on the Road Always Comes Home | Coalesce | B Minor | 9 | 10A | 174 BPM | ||
| Example Maiden Japan - Devil's Food | Cherubs | G Major | 6 | 9B | 127 BPM | ||
| Swimming the Channel vs. Driving the Chunnel | Botch | G Major | 10 | 9B | 159 BPM |