Michael Sinatra's 'It Had to Be You (Bonus Version with Saxophone)' had a release date set for August 21, 2017. The duration of This song is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. It Had to Be You (Bonus Version with Saxophone)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Michael Sinatra's "Michael Sinatra" album is number 6 out of 6. On top of that, United States appears to be the country where this track was created. In terms of popularity, It Had to Be You (Bonus Version with Saxophone) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of It Had to Be You (Bonus Version with Saxophone) by Michael Sinatra to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Santa Promise | Timeless Tone | C Major | 3 | 8B | 173 BPM | ||
| Fancy Watch | Monika Ryan | A Minor | 3 | 8A | 138 BPM | ||
| Drink it In | Mark Niedzwiedz, Mark Kingswood | E♭ Major | 3 | 5B | 123 BPM | ||
| Blue Silence (1940s Jazz) | ZChill Jazz | B♭ Minor | 1 | 3A | 172 BPM | ||
| Elegancia y Swing Vida en los 50 | Jazz Clasico, Jazz Retro, Musica De Los 50 | G Major | 2 | 9B | 174 BPM | ||
| Until the Stars Forget to Shine | Eddie Gold | G Minor | 4 | 6A | 99 BPM | ||
| Things Are Swingin | Linda Lee Michelet | C Minor | 4 | 5A | 107 BPM | ||
| Till There Was You | Lyambiko | G Major | 4 | 9B | 105 BPM | ||
| Strangers in the Night | Edgar Everett | E♭ Major | 4 | 5B | 84 BPM | ||
| La última toma | Ravexon | C Minor | 3 | 5A | 167 BPM | ||
| Sometimes I'm Happy - Sometimes I'm Blue | Nicole Magolie, Fabrizio Bosso | F Major | 4 | 7B | 96 BPM | ||
| Didn't We | Peter Grant | G Major | 3 | 9B | 71 BPM | ||
| Snowbird | Ashley Pezzotti | G Major | 4 | 9B | 142 BPM | ||
| Summer Wind | Michael Sinatra | F Major | 7 | 7B | 121 BPM | ||
| At Midnight, I Was Reasonable | Adelaide Jazz Project | E♭ Major | 2 | 5B | 84 BPM | ||
| The Love Game | Troy Kline | C Minor | 3 | 5A | 125 BPM | ||
| East of the Sun and West of the Moon | Donna Byrne | C Major | 3 | 8B | 129 BPM | ||
| Electric Christmas Lights | Sunny Jazz Lounge | C Minor | 3 | 5A | 167 BPM | ||
| You Don't Deserve My Love | Eclipse Sinfónico | B♭ Major | 3 | 6B | 79 BPM | ||
| Darling, Je Vous Aime Beaucoup | Jason Fabus, Luca Pino | D♭ Major | 1 | 3B | 75 BPM | ||
| Altitud dinámica | Alto extremo | F Major | 2 | 7B | 116 BPM | ||
| Could This Be the Night | Suzanna Ross | F♯ Minor | 1 | 11A | 124 BPM | ||
| The Way You Look Tonight | Michael Sinatra | F Major | 7 | 7B | 121 BPM | ||
| New York, New York | Michael Sinatra | F Major | 7 | 7B | 121 BPM | ||
| Snap Those Chains | LOL Style | D Major | 3 | 10B | 137 BPM |