Lucas Rocha, Christian Barillas, Anthony Lee Medina, Luis Selgas's 'Chapter 111 - Where We Go From Here' had a release date set for June 2, 2020. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Where We Go From Here (Unabridged) by Lucas Rocha. The song's track number on the album is #25 out of 130 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, Chapter 111 - Where We Go From Here's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
Since Chapter 111 - Where We Go From Here by Lucas Rocha, Christian Barillas, Anthony Lee Medina, Luis Selgas has a tempo of 150 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Chapter 111 - Where We Go From Here being at 150 BPM, the half-time would be 75 BPM with a double-time of 300 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kapitel 4 - Mord im Zirkus (Sherlock is Back, Folge 5) | Sherlock is Back, Sherlock Holmes, Arthur Conan Doyle, Holmes & Watson | D Major | 2 | 10B | 124 BPM | ||
| Kapitel 2 - Das gelbe Gesicht | Sherlock Holmes - Die Klassiker, Sherlock Holmes, Sir Arthur Conan Doyle, Sherlock Holmes und Dr. Watson | D Major | 2 | 10B | 124 BPM | ||
| Chapter 1 & Chapter 2 & Chapter 3.1 - The Settlers | Vivian Stuart | D♭ Major | 3 | 3B | 95 BPM | ||
| Hino Avulso | Sanfamix Danilo, Nelson Santana, Lucas Rocha, Marcel Lino | F Major | 4 | 7B | 122 BPM | ||
| Kapitel 104 - Schrei | Noah Fitz, Hans-Benno Pest | F♯ Major | 2 | 2B | 141 BPM | ||
| Primera noche.4 - Noches blancas | Fyodor Dostoevsky | E Minor | 2 | 9A | 105 BPM | ||
| Chapter 49 - Blood Ties - Spirit Animals 3 | Garth Nix, Sean Williams, Nicola Barber | E♭ Major | 2 | 5B | 82 BPM | ||
| Kapitel 16.2 & Kapitel 17.1 - Urknall, Weltall und das Leben | Harald Lesch, Josef M. Gaßner | A♭ Minor | 5 | 1A | 107 BPM | ||
| Chapter 7 - The Traitor's Game - The Traitor's Game, Book 1 | Jennifer A. Nielsen, Jesse Vilinsky, Michael Curran-Dorsano | B♭ Minor | 1 | 3A | 164 BPM | ||
| Chapter 118 - Where We Go From Here | Lucas Rocha, Christian Barillas, Anthony Lee Medina, Luis Selgas | A♭ Minor | 2 | 1A | 72 BPM | ||
| Chapter 1 - Mortal Engines - Mortal Engines, Book 1 | Philip Reeve, Barnaby Edwards | A♭ Major | 3 | 4B | 108 BPM | ||
| Kapitel 68 - God of Malice - Gefährliche Liebe - The King's U vs. Royal Elite University, Band 1 | Rina Kent, Marie Sandmann, Leon Wander | C Minor | 3 | 5A | 84 BPM | ||
| Kapitel 25.2 & Kapitel 26.1 - Intrigen an der Côte d'Azur. Kommissar Duval ermittelt | Christine Cazon | C Major | 2 | 8B | 97 BPM | ||
| Chapter 13 - The Mysterious Affair at Styles | Agatha Christie, Lauren Williams | E♭ Major | 3 | 5B | 162 BPM | ||
| Kapitel 145 - Verstand und Gefühl | Jane Austen, Eva Mattes | A♭ Major | 2 | 4B | 112 BPM | ||
| Kapitel 33 - Mord im Zirkus (Sherlock is Back, Folge 5) | Sherlock is Back, Sherlock Holmes, Arthur Conan Doyle, Holmes & Watson | D Major | 2 | 10B | 124 BPM | ||
| Kapitel 46 - DICKE EIER IN UNTERFILZBACH | Eva Adam, Günter Schoßböck, Unterfilzbach | D♭ Minor | 3 | 12A | 130 BPM | ||
| Kapitel 71 - Dreifach | Ken Follett, Bernd Reheuser | F♯ Major | 4 | 2B | 76 BPM | ||
| Der Tod und die Mädchen (Teil 11) | Inspector Moore | E Major | 3 | 12B | 128 BPM | ||
| Befallene Gedanken (Teil 6) | MooEntertainment | C Minor | 3 | 5A | 115 BPM | ||
| Chapter 109 - Where We Go From Here | Lucas Rocha, Christian Barillas, Anthony Lee Medina, Luis Selgas | A♭ Minor | 3 | 1A | 134 BPM | ||
| Kapitel 34 - DICKE EIER IN UNTERFILZBACH | Eva Adam, Günter Schoßböck, Unterfilzbach | B♭ Major | 2 | 6B | 76 BPM | ||
| Chapter 80 - Where We Go From Here | Lucas Rocha, Christian Barillas, Anthony Lee Medina, Luis Selgas | F♯ Major | 2 | 2B | 162 BPM | ||
| Exodus 2.2 & Exodus 3.1 - Voice Only Audio Bible - New King James Version, NKJV (Narrated by Simon Bubb): Old Testament | Thomas Nelson Bibles | D♭ Major | 1 | 3B | 84 BPM | ||
| Kapitel 122 - DICKE EIER IN UNTERFILZBACH | Eva Adam, Günter Schoßböck, Unterfilzbach | B♭ Major | 3 | 6B | 131 BPM |