Lale Andersen's 'Lily Marlen' had a release date set for February 11, 2019. The duration of This song is about 3 minutes long, at 3:25. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Lale Andersen's "Lily Marlen" album is number 1 out of 12. In terms of popularity, Lily Marlen is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lily Marlen by Lale Andersen to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tanze mit mir in den Morgen (Mitternachtstango) | Gerhard Wendland | A♭ Major | 4 | 4B | 127 BPM | ||
| Davon geht die Welt nicht unter - Inglourious Basterds Version | Zarah Leander | C Major | 4 | 8B | 93 BPM | ||
| Im roten Licht der Hafenbar | Lale Andersen | G Minor | 4 | 6A | 91 BPM | ||
| Küß Mich, Bitte Küß Mich | Rudi Schuricke | C Major | 4 | 8B | 93 BPM | ||
| Er Heißt Waldemar | Zarah Leander | F Minor | 4 | 4A | 136 BPM | ||
| Lili Marleen | Marlene Dietrich | C Major | 7 | 8B | 111 BPM | ||
| Schwarze Balalaika | Alexandra | C Minor | 6 | 5A | 139 BPM | ||
| Ein Schiff Wird Kommen | Lys Assia | D Major | 8 | 10B | 120 BPM | ||
| Es fährt ein Zug nach nirgendwo | Christian Anders | B♭ Major | 6 | 6B | 118 BPM | ||
| Freiheit in meiner Sprache | Milva | B Major | 3 | 1B | 76 BPM | ||
| Wir Machen Musik | Ilse Werner | C Major | 4 | 8B | 93 BPM | ||
| Granada | Vico Torriani | C Major | 2 | 8B | 145 BPM | ||
| Those Were The Days | Alexandra | D♭ Minor | 4 | 12A | 103 BPM | ||
| Von Hollywood träumen | Gitte Haenning | F Major | 4 | 7B | 167 BPM | ||
| Oh My Darling Caroline | Ronny | D♭ Minor | 5 | 12A | 92 BPM | ||
| Da geh' ich ins Maxim | Johannes Heesters | D Major | 3 | 10B | 145 BPM | ||
| Einmal noch nach Bombay (Vortragslied) | Lale Andersen | F Major | 3 | 7B | 81 BPM | ||
| Wenn die Sonne scheint in Texas | Bruce Low | C Major | 4 | 8B | 93 BPM | ||
| Der lachende Vagabund | Fred Bertelmann | F Major | 7 | 7B | 120 BPM | ||
| Wo de Nordseewellen trecken an den Strand (Friesenlied) | Lale Andersen | A Major | 2 | 11B | 181 BPM | ||
| Boom Bang-A-Bang | Heidi Brühl | A Major | 8 | 11B | 123 BPM | ||
| Der Traum vom Fliegen | Alexandra | C Major | 4 | 8B | 124 BPM | ||
| Corinna, Corinna | Peter Beil | B♭ Major | 5 | 6B | 129 BPM | ||
| Wien du Stadt Meiner Träume | Richard Tauber | G Major | 3 | 9B | 102 BPM | ||
| Kann denn Liebe Sünde sein - Alternative Aufnahme | Zarah Leander | C Major | 4 | 8B | 93 BPM |