The Reds, Pinks and Purples's ' "Upside Down in an Empty Room (Slow Version)" was released on its scheduled release date, September 12, 2025. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Upside Down in an Empty Room (Slow Version)'s duration is considered a little bit shorter than the average duration of a typical track. Since Upside Down in an Empty Room (Slow Version) only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from Germany. Based on our statistics, Upside Down in an Empty Room (Slow Version)'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Upside Down in an Empty Room (Slow Version) by The Reds, Pinks and Purples having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dipped | HighSchool | A Major | 7 | 11B | 136 BPM | ||
| Bird on the Wing | Tom Williams | B Minor | 6 | 10A | 112 BPM | ||
| Louie | Makthaverskan | B Minor | 5 | 10A | 109 BPM | ||
| Deathday | Jim White | C Major | 4 | 8B | 106 BPM | ||
| Something Better | The Berries | F♯ Major | 4 | 2B | 122 BPM | ||
| Alamine | Bat Eyes | E♭ Major | 6 | 5B | 118 BPM | ||
| one kind of lullaby | Ceylon Sailor | B Minor | 5 | 10A | 109 BPM | ||
| On The Longest Day | Immersion | A Major | 1 | 11B | 124 BPM | ||
| The Cloud Is Coming | Dean Wareham | F Major | 3 | 7B | 88 BPM | ||
| Ladder | Ethereos | B Major | 4 | 1B | 120 BPM | ||
| God Simple | Christian Kjellvander | E Major | 3 | 12B | 125 BPM | ||
| If You Were To Ask | SunYears, de clair., Peter Morén | A Minor | 5 | 8A | 119 BPM | ||
| Fate (Reprise) | Olan Monk, Maria Somerville | B♭ Major | 4 | 6B | 100 BPM | ||
| That There's a Strategy | Shrunken Elvis, Rich Ruth, Spencer Cullum, Sean Thompson's Weird Ears | D Major | 3 | 10B | 130 BPM | ||
| Buckle Up | Cubzoa | D Minor | 4 | 7A | 122 BPM | ||
| Mind | Golden Apples | D Major | 6 | 10B | 127 BPM | ||
| Doris Comes Today | Bill Fay | B♭ Minor | 4 | 3A | 102 BPM | ||
| Graveyard (Of Our Love) | Insecure Men | D Major | 3 | 10B | 131 BPM | ||
| Public Fountains | The Reds, Pinks and Purples | G Major | 5 | 9B | 127 BPM | ||
| Falling Dream | The Telephone Numbers | E♭ Major | 8 | 5B | 133 BPM | ||
| DREAMER | Just Mustard | E♭ Major | 7 | 5B | 138 BPM | ||
| Zoology | Modern Nature | F♯ Minor | 2 | 11A | 138 BPM | ||
| How To Be | Immersion | B♭ Minor | 4 | 3A | 119 BPM | ||
| Nights of Weight | Nation of Language | B♭ Minor | 2 | 3A | 79 BPM | ||
| The Big Shake | The Mary Onettes | G Major | 8 | 9B | 114 BPM |