"Haydn: String Quartet in D Major, Op. 64 No. 5, Hob. III:63 "Lark": I. Allegro moderato" by Joseph Haydn, Endellion String Quartet had its release date on October 1, 2012. This song is about six minutes long, preciously at 6:07, making this song fairly long compared to other songs. The track order of this song in Endellion String Quartet's "Haydn : String Quartets Nos 1, 4 & 5, 'The Lark'" album is number 9 out of 15. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Haydn: String Quartet in D Major, Op. 64 No. 5, Hob. III:63 "Lark": I. Allegro moderato is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Haydn: String Quartet in D Major, Op. 64 No. 5, Hob. III:63 "Lark": I. Allegro moderato by Joseph Haydn, Endellion String Quartet to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto grosso in G Major, Op. 6 No. 1, HWV 319: III. Adagio | George Frideric Handel, Iona Brown, Academy of St. Martin in the Fields | E Minor | 1 | 9A | 96 BPM | ||
| Symphony in G Minor, Op. 6, No. 6, W. C12: III. Allegro molto | Johann Christian Bach, Concerto Köln | F♯ Minor | 2 | 11A | 96 BPM | ||
| Concerto grosso in G Major, Op. 6 No. 1, HWV 319: II. Allegro | George Frideric Handel, Iona Brown, Academy of St. Martin in the Fields | D Major | 4 | 10B | 134 BPM | ||
| Symphony in C Major, W. I/6: I. Allegro di molto | Johann Christoph Friedrich Bach, Leipziger Kammerorchester, Morten Schuldt-Jensen | C Major | 1 | 8B | 75 BPM | ||
| String Quartet in E-Flat Major: I. Adagio ma non troppo | Fanny Mendelssohn, Merel Quartet | E Minor | 2 | 9A | 120 BPM | ||
| Cello Concerto No. 2 in D Minor, Op. 119: II. Andante sostenuto | Camille Saint-Saëns, Zuill Bailey, Roanoke Symphony Orchestra, David Wiley | E Minor | 1 | 9A | 180 BPM | ||
| Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: I. Allegro | Cologne Chamber Orchestra, Johann Sebastian Bach | B♭ Major | 2 | 6B | 90 BPM | ||
| Sinfonia in A Major, WolS I. A-3: I. Allegro assai | Johann Stamitz, Südwestdeutsches Kammerorchester Pforzheim, Timo Handschuh | F Major | 1 | 7B | 205 BPM | ||
| Piano Sonata in C Minor: II. Andante con moto | Fanny Mendelssohn, Heather Schmidt | E♭ Major | 1 | 5B | 79 BPM | ||
| Easter Sonata: II. Largo e molto espresso – Poco più mosso | Fanny Mendelssohn, Isata Kanneh-Mason | E Minor | 0 | 9A | 95 BPM | ||
| Allegro Non Troppo E Risoluto | Pyotr Ilyich Tchaikovsky, St. Lawrence String Quartet | E♭ Major | 2 | 5B | 128 BPM | ||
| String Quartet No. 2 in C Major, D. 32: II. Andante | Franz Schubert, Melos Quartet | A Minor | 1 | 8A | 99 BPM | ||
| String Quintet in C Major, D. 956: IV. Finale. Allegretto | Franz Schubert, Mstislav Rostropovich, Emerson String Quartet | G Major | 1 | 9B | 97 BPM | ||
| Concerto in D Minor for Two Violins, BWV 1043: Allegro | Johann Sebastian Bach, Jascha Heifetz, Erick Friedman, Thornton Lofthouse, The New Symphony Orchestra Of London, Sir Malcolm Sargent | A Minor | 2 | 8A | 94 BPM | ||
| Sonata in B Minor, K.27: Allegro | Domenico Scarlatti, Daria van den Bercken | D Major | 1 | 10B | 130 BPM | ||
| Concerto Grosso In D Major, Op. 6, No. 4 : I. Adagio - Allegro | Arcangelo Corelli, Anna Holbling, Quido Holbling, Ludovit Kanta, Daniela Ruso, Capella Istropolitana | D Major | 3 | 10B | 130 BPM | ||
| Symphony in G Minor, Op. 6, No. 6, W. C12: I. Allegro | Johann Christian Bach, Concerto Köln | D Major | 2 | 10B | 139 BPM | ||
| Bagatelles, Op. 47, B. 79: No. 3 in G Minor, Allegretto scherzando | Antonín Dvořák, Josef Suk, Miroslav Ambroš, Jiří Bárta, Jan Simon | E♭ Major | 4 | 5B | 91 BPM | ||
| Serenade in D Major, LMV VIII:9: VI. Adagio | Leopold Mozart, Fabrice Millischer, Bayerische Kammerphilharmonie, Reinhard Goebel | G Major | 1 | 9B | 100 BPM | ||
| Concerto in D Minor for Two Violins, BWV 1043: Largo ma non tanto | Johann Sebastian Bach, Jascha Heifetz, Erick Friedman, Thornton Lofthouse, The New Symphony Orchestra Of London, Sir Malcolm Sargent | A Minor | 2 | 8A | 94 BPM | ||
| String Quartet No. 1 in G Major, K. 80: III. Menuetto | Eder Quartet | G Major | 0 | 9B | 124 BPM | ||
| Cello Concerto No. 2 in D Hob. VIIb:2 (Cadenzas: Lynn Harrell): III. Rondo (Allegro) - Cadenza | Lynn Harrell, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 1 | 10B | 134 BPM | ||
| Violin Concerto No. 5 in D Major, Op. 22: II. Andante cantabile | Friedrich Seitz, Hyejin Chung, Warren Lee | F Major | 1 | 7B | 78 BPM | ||
| String Quartet In F Minor, Hob. III:35, Op.20 No.5: 2. Menuet | Joseph Haydn, Emerson String Quartet | F Major | 0 | 7B | 79 BPM | ||
| Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM |