Stabat Mater, Op. 138 by Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius Song Details

"Stabat Mater, Op. 138" by Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius had its release date on February 1, 1989. This song appears to be safe for all ages as it is not explicit. The track order of this song in Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius's "Josef Gabriel Rheinberger: Cantus Missae. Musica sacra II" album is number 8 out of 14. On top of that, Germany appears to be the country where this track was created. Stabat Mater, Op. 138 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Stabat Mater, Op. 138 by Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Music Key

This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 13%
Loudness: -22.95 dB
Acousticness: 98%
Danceability: 8%
Energy: 8%
Instrumentalness: 43%
Liveness: 9%
Loudness: 62%
Speechiness: 5%
Valence: 4%

Recommendations

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Stabat Mater: 3. O quam tristis	Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood	F♯ Minor	1	11A	80 BPM
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Whitacre: Five Hebrew Love Songs: Rakút (Tenderness)	Eric Whitacre, Eric Whitacre Singers	G Major	1	9B	92 BPM
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In These Stones Horizons Sing: IV. In These Stones Horizons Sing	Karl Jenkins, Adiemus, Serendipity, Cor Caerdydd & Cytgan, West Kazakhstan Philharmonic Orchestra, Marat Bisengaliev, Bryn Terfel, Nigel Hitchcock, Catrin Finch, Timothy Rhys-Evans	E Minor	4	9A	84 BPM
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4 Shakespeare Songs: No. 1, Come Away Death	Jaakko Mäntyjärvi, Voces Nordicae, Lone Larsen	G Major	1	9B	128 BPM
Stabat Mater, Op. 58: V. Tui nati vulnerati (Andante con moto, quasi allegretto)	Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic	E♭ Major	0	5B	81 BPM
Die mit Tränen säen, SWV 378	Heinrich Schütz, Ensemble Polyharmonique, Alexander Schneider, Juliane Laake, Klaus Eichhorn, Magdalene Harer, Joowon Chung, Johannes Gaubitz, Matthias Lutze	E♭ Minor	1	2A	116 BPM
Schubert: Deutsche Messe, D. 872: Zum Eingang	Franz Schubert, Wolfgang Sawallisch, Bavarian Radio Chorus, Elmar Schloter, Symphonieorchester des Bayerischen Rundfunks	E Minor	0	9A	124 BPM
Messe solennelle pour deux orgues et choeur, Op. 16: V. Agnus Dei	Louis Vierne, Michel Bouvard	A♭ Major	1	4B	81 BPM
Whitacre: Five Hebrew Love Songs: Temuná (A Picture)	Eric Whitacre, Eric Whitacre Singers	G Major	0	9B	73 BPM
Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:2: IV. Frau, hier siehe deinen Sohn. Grave	Joseph Haydn, Anna-Lena Elbert, Sophie Harmsen, Florian Sievers, Sebastian Noack, Kammerchor Stuttgart, Hofkapelle Stuttgart, Frieder Bernius	E♭ Major	1	5B	90 BPM
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Missa in G Major, Op. 151 "St. Crucis": II. Gloria	Josef Rheinberger, Vocalensemble Rastatt, Holger Speck	D Minor	0	7A	130 BPM
Hör mein Bitten, WoO 15	Felix Mendelssohn, Julia Hamari, Ensemble '76 Stuttgart, Kammerchor Stuttgart, Frieder Bernius	E♭ Major	2	5B	101 BPM