On 1988, the song "Warewolves of London" was released by David Lindley & El Rayo-X. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Very Greasy by David Lindley & El Rayo-X. The song's track number on the album is #6 out of 10 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Warewolves of London's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Warewolves of London by David Lindley & El Rayo-X has a tempo of 144 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Warewolves of London being at 144 BPM, the half-time would be 72 BPM with a double-time of 288 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pressure Drop | The Clash | E Major | 9 | 12B | 158 BPM | ||
| I Wanna Be a Flinstone | The Screaming Blue Messiahs | E Major | 9 | 12B | 188 BPM | ||
| The Trans-Slambovan Bipolar Express | The Slambovian Circus Of Dreams | C Major | 8 | 8B | 117 BPM | ||
| She's So Tough | Mink DeVille | E Minor | 5 | 9A | 109 BPM | ||
| Big River | The Beat Farmers | D Major | 7 | 10B | 117 BPM | ||
| Late At Night | The Subdudes | G Minor | 8 | 6A | 128 BPM | ||
| Monkey Murders - 2012 Remaster | The Beat | A Major | 7 | 11B | 172 BPM | ||
| Happy Birthday To Me | Cracker | C Major | 7 | 8B | 128 BPM | ||
| Crackin’ Up | Billy F Gibbons | E Major | 9 | 12B | 115 BPM | ||
| Showdown At Big Sky | Robbie Robertson | A Minor | 8 | 8A | 111 BPM | ||
| Brother John | The Wild Tchoupitoulas | B Minor | 5 | 10A | 158 BPM | ||
| What Makes the Monkey Dance | Chuck Prophet | D Major | 9 | 10B | 103 BPM | ||
| A Certain Girl | Warren Zevon | B Major | 7 | 1B | 122 BPM | ||
| Suspicious Mind | The Heptones | A♭ Major | 4 | 4B | 97 BPM | ||
| Get Down Moses | Joe Strummer, The Mescaleros | E Minor | 9 | 9A | 156 BPM | ||
| Big Road | David Bromberg | B Minor | 7 | 10A | 116 BPM | ||
| I'm a One Woman Man | Hindu Love Gods | A Major | 5 | 11B | 134 BPM | ||
| Are You Sure Hank Done It This Way | The Mavericks | F Major | 7 | 7B | 111 BPM | ||
| Brave New World | Blue Stingrays | C Major | 7 | 8B | 136 BPM | ||
| My Uncle Used to Love Me But She Died | The Sweetback Sisters | D♭ Minor | 7 | 12A | 144 BPM | ||
| Hanging Upside Down | David Byrne | D Major | 8 | 10B | 140 BPM | ||
| Shambala | B.W. Stevenson | D Major | 7 | 10B | 121 BPM | ||
| Devil with the Blue Dress On / Good Golly Miss Molly (Medley) | Mitch Ryder and The Detroit Wheels | C Major | 8 | 8B | 79 BPM | ||
| Song of Lime Juice & Despair | Shinyribs | D Minor | 9 | 7A | 113 BPM | ||
| She's a Runaway | Bodeans | A Major | 6 | 11B | 136 BPM |