Brian Greene's 'Taunting Scene' had a release date set for August 26, 1997. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Taunting Scene's duration is considered a little bit shorter than the average duration of a typical track. This song is part of West Side Story: First Complete Recording (Cast Recording Leicester Haymarket Theatre 1993) by Original Leicester Haymarket Theatre Cast. The song's track number on the album is #7 out of 24 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. The popularity of Taunting Scene is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Taunting Scene by Brian Greene has a tempo of 177 beats per a minute, the tempo markings of this song would be Presto (very, very fast). With Taunting Scene being at 177 BPM, the half-time would be 88 BPM with a double-time of 354 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 1/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Come Back to Me | John Cullum | C Major | 4 | 8B | 143 BPM | ||
| Nothing Like the City | Marin Mazzie, Peter Friedman, Lea Michele, Alex Strange, Gordon Stanley | E♭ Major | 1 | 5B | 113 BPM | ||
| Tevye's Monologue | Danny Burstein | F♯ Major | 3 | 2B | 75 BPM | ||
| I Could Write A Book | Original Broadway Cast of 'Pal Joey' | D♭ Major | 3 | 3B | 121 BPM | ||
| Sweet Charity: Charity's Soliloquy | Cy Coleman, Gwen Verdon, Fred Werner, Sweet Charity Original Broadway Cast | A Major | 3 | 11B | 66 BPM | ||
| Luck Be A Lady | New York Theatre Of The Arts | A♭ Major | 6 | 4B | 77 BPM | ||
| Happy Talk | Loretta Ables Sayre | D Major | 1 | 10B | 183 BPM | ||
| Trial by Jury: Oh, Gentlemen, Listen I Pray | Gilbert & Sullivan Society of Houston | G Major | 2 | 9B | 132 BPM | ||
| The Mikado: Three Little Maids | Jean Rigby | C Major | 2 | 8B | 128 BPM | ||
| Dear Friend | Laura Benanti | D♭ Major | 2 | 3B | 106 BPM | ||
| High Mountain | Aiden Wilson | E♭ Major | 6 | 5B | 102 BPM | ||
| If Mama Was Married - Remastered Version | Gypsy - Ann Jillian & Natalie Wood | A♭ Major | 3 | 4B | 188 BPM | ||
| I Love To Hold Rose With The Rolled Hose And The Shing-Shing-Shingled Hair | Brian Greene, Rae Baker | C Major | 2 | 8B | 92 BPM | ||
| Soldiers' Gossip (#1) | Original Broadway Cast Of 'Passion' | E Minor | 2 | 9A | 103 BPM | ||
| Where Is the Warmth? | Sharon Lee Hill | F♯ Minor | 2 | 11A | 77 BPM | ||
| The Show Biz | Jim Corti, Lynnette Perry | D Major | 2 | 10B | 92 BPM | ||
| Hold Your Head Up High | Honk! Original Demo Cast | A Major | 2 | 11B | 131 BPM | ||
| When Federic Was a Little Lad | The Pirates Of Penzance | F Minor | 3 | 4A | 110 BPM | ||
| A Year with Frog and Toad (Reprise) | Danielle Ferland, Kate Reinders, Frank Vlastnik | B♭ Minor | 1 | 3A | 68 BPM | ||
| I Am Called Haiti | Brian Greene | B Major | 2 | 1B | 133 BPM | ||
| Who Cares? / For You, For Me, For Evermore | Jill Paice, Leanne Cope, Brandon Uranowitz, Max Von Essen, Robert Fairchild | D Major | 3 | 10B | 171 BPM | ||
| Interrogation: I'm trying to remember... | Ray Aranha, Brent Carver, Peter Samuel, Jessica Molaskey, Randy Redd | A♭ Major | 2 | 4B | 75 BPM | ||
| Just One Person / Bows | Mark Hadfield, Nicky Croydon, Robert Locke, Susie Blake | D Major | 2 | 10B | 60 BPM | ||
| The Mikado / Act 1: 13. I am so proud, If I allowed | Arthur Sullivan, John Reed, Kenneth Sandford, Michael Rayner, Royal Philharmonic Orchestra, Royston Nash | F♯ Minor | 2 | 11A | 111 BPM | ||
| H.M.S. Pinafore, Act I: Sir, You Are Sad | Gilbert & Sullivan Society of Houston | C Major | 1 | 8B | 174 BPM |