Fazal Qureshi, Alla Rakha's ' "Talk-e-Taal" was released on its scheduled release date, January 1, 2006. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 7 in the song's album "Pepper Drums". In this album, this song's track order is #1. In terms of popularity, Talk-e-Taal is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Talk-e-Taal by Fazal Qureshi, Alla Rakha having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bilak Uzuk (Bracelet) | Sirojiddin Juraev, Salar Nader | B♭ Major | 2 | 6B | 139 BPM | ||
| Tani Avartanam | Traditional, Alla Rakha, Zakir Hussain | F Minor | 4 | 4A | 139 BPM | ||
| Folk: Aadhi Taal, 8 Beats | Pandit Vinayak Vora, M. Kalyanaraman | A Major | 5 | 11B | 118 BPM | ||
| To You | Raj Rangayyan, Utpal Mazumdar | D♭ Major | 4 | 3B | 100 BPM | ||
| Raga Mishra Khamal: Thumri in Teentaal | Ram Narayan, Dilshad Khan, Anita Narayan | E Major | 3 | 12B | 147 BPM | ||
| Ambala (India) 1987 - Tintal | Zakir Hussain & Sultan Khan | B Minor | 8 | 10A | 160 BPM | ||
| Nannu Palimpa (Ragam) | Lalgudi G. Jayaraman | F Minor | 1 | 4A | 111 BPM | ||
| Agra (India) 1987 - Kharawa | Zakir Hussain & Hariprasad Chaurasia | C Major | 6 | 8B | 122 BPM | ||
| Sufi In Ecstasy | Sultan Khan, Fazal Qureshi, Jonas Hellborg | B Major | 3 | 1B | 82 BPM | ||
| Raga Des Rupaktal | G.S. Sachdev | F Major | 2 | 7B | 115 BPM | ||
| Chayanat | Buddhadev DasGupta | C Major | 5 | 8B | 176 BPM | ||
| Dhun in Madhyam se Gara - Studio | Tejendra Majumdar, Swapan Chaudhuri | F Major | 2 | 7B | 101 BPM | ||
| Raga Deepawali | Nayan Ghosh, Ishaan Ghosh | G Major | 6 | 9B | 81 BPM | ||
| Alhaiya Bilaval | Shruti Sadolikar | D♭ Major | 4 | 3B | 150 BPM | ||
| Tanpura Drone in C# (Bordone in DO#) | Bagno Armonico | F♯ Major | 0 | 2B | 205 BPM | ||
| Anulom - Vilom Pranayam - Raag Nat Bhairav | Ronu Majumdar | E Major | 1 | 12B | 73 BPM | ||
| Raga Madhmad Sarang - Alap | Traditional, Veena Sahasrabuddhe | C Minor | 0 | 5A | 75 BPM | ||
| Prabha Gaan | Sounds of Optimism, Deepesh Sanmal | C Major | 1 | 8B | 87 BPM | ||
| The Natural Forces - Original Mix | Kaustav Majumder | D Minor | 4 | 7A | 96 BPM | ||
| Almost Seven | Fazal Qureshi | G Major | 4 | 9B | 105 BPM | ||
| Raga Hansadhwani | Pravin Godkhindi | B Major | 5 | 1B | 78 BPM | ||
| Raag Bhimpalasi | Pawan Krishna | D Minor | 5 | 7A | 141 BPM | ||
| Rooh Le Gaya | Shujaat Khan | F♯ Major | 5 | 2B | 79 BPM | ||
| Raga Bhairavi | Sangit Om | A♭ Minor | 2 | 1A | 64 BPM | ||
| Piloo | Niladri Kumar | A Minor | 3 | 8A | 97 BPM |