"All That the Air Allows" by Lynn Avery, Cole Pulice had its release date on November 15, 2024. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 9 in the song's album "Phantasy & Reality". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. All That the Air Allows is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With All That the Air Allows by Lynn Avery, Cole Pulice having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tomorrow | Josiah Steinbrick | A♭ Major | 1 | 4B | 115 BPM | ||
| Day Of The Voyage | Ocean Moon | C Major | 2 | 8B | 91 BPM | ||
| Freedom and Crap | M. Sage, Lake Mary, Patrick Shiroishi, Chris Jusell | E♭ Minor | 1 | 2A | 77 BPM | ||
| winter ii | Felbm | E♭ Major | 3 | 5B | 80 BPM | ||
| Snow | Sam Wilkes, Craig Weinrib, Dylan Day | A Major | 1 | 11B | 96 BPM | ||
| Descending (WWW) | Sam Wilkes, Dylan Day, Chris Fishman, Thom Gill, Craig Weinrib | B♭ Major | 1 | 6B | 148 BPM | ||
| Everything Happens To Me | Sam Gendel, Benny Bock | B Major | 2 | 1B | 86 BPM | ||
| Clessidra | Laurie Torres | D Major | 1 | 10B | 179 BPM | ||
| Lake-Eyes | Nico Georis | C Minor | 3 | 5A | 135 BPM | ||
| Getting Lost | Yo La Tengo | G Major | 0 | 9B | 72 BPM | ||
| Duvet | Laurie Torres | D Major | 1 | 10B | 179 BPM | ||
| My Hand Creates Ripples On The Surface Of The Water - Instrumental | Dorothea Paas | F Major | 3 | 7B | 75 BPM | ||
| Fuubutsushi | Fuubutsushi | C Major | 3 | 8B | 105 BPM | ||
| Whistle from Above | David Grubbs | D Minor | 0 | 7A | 167 BPM | ||
| Cloud Plexus | M. Sage, The Spinnaker Ensemble | F Major | 2 | 7B | 118 BPM | ||
| Tide Pool Portals to Another World | Signal Quest, Lynn Avery, Cole Pulice, Mitch Stahlmann | G Major | 2 | 9B | 125 BPM | ||
| The Unbearable Sound Of The Roses | Andrew Wasylyk, Tommy Perman | A♭ Minor | 2 | 1A | 86 BPM | ||
| The Light Through The Leaves | Woo | C Major | 2 | 8B | 66 BPM | ||
| Symmetries | Elori Saxl, Henry Solomon | A Minor | 1 | 8A | 112 BPM | ||
| In Bloom | Tony Njoku | E♭ Minor | 3 | 2A | 52 BPM | ||
| Friday Afternoon, November | Marisa Anderson | A Major | 4 | 11B | 98 BPM | ||
| Launching Mossy Scow | M. Sage, The Spinnaker Ensemble | F♯ Major | 3 | 2B | 63 BPM | ||
| No Gods Only Flowers | Anja Lauvdal | A♭ Major | 0 | 4B | 110 BPM | ||
| Mirage-Afternoon | Pan-American, Michael Grigoni | D Major | 2 | 10B | 133 BPM | ||
| A Mote of Frozen Eternity | Lynn Avery, Cole Pulice, Ambrose Akinmusire | A Major | 2 | 11B | 168 BPM |