On July 24, 2007, the song "Pass The Biscuits, Mirandy" was released by Spike Jones. The duration of This song is about 3 minutes long, at 3:06. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 12 out of 22 in Digitally Spiked by Spike Jones. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Pass The Biscuits, Mirandy's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Pass The Biscuits, Mirandy by Spike Jones is Allegro (fast, quick, and bright), since this song has a tempo of 142 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cuban Pete | Desi Arnaz | F Minor | 3 | 4A | 141 BPM | ||
| Flippety, Floppety, Bunny | Roy Rogers and Dale Evans, The Sandpipers Mitch Miller Orchestra | E Major | 7 | 12B | 121 BPM | ||
| Sentimental Journey | The Merry Macs | D♭ Major | 2 | 3B | 183 BPM | ||
| Beans In My Ears | The Serendipity Singers | B Major | 5 | 1B | 128 BPM | ||
| She's a Lady | Betty Hutton | C Minor | 8 | 5A | 96 BPM | ||
| Old Lang Syne | The Ted Heath Orchestra | C Major | 2 | 8B | 174 BPM | ||
| Bells | The Beau Hunks | C Major | 1 | 8B | 115 BPM | ||
| On Mother Kelly's Doorstep | Danny La Rue | B♭ Major | 2 | 6B | 131 BPM | ||
| The Laughing Policeman | Charles Penrose | A Major | 5 | 11B | 128 BPM | ||
| Hawaian War Chant | Spike Jones | C Minor | 8 | 5A | 96 BPM | ||
| What Are You Doing New Years Eve Closing | Kay Kyser & His Orchestra | C Minor | 8 | 5A | 96 BPM | ||
| Mississippi Mud (feat. Bix Beiderbecke) | Paul Whiteman & His Orchestra, Bix Beiderbecke | E♭ Major | 4 | 5B | 184 BPM | ||
| Jingle Jangle Jingle - Alternate Take | The Merry Macs | D♭ Major | 2 | 3B | 183 BPM | ||
| (There'll Be Bluebirds Over) The White Cliffs Of Dover | Kay Kyser & His Orchestra | C Major | 1 | 8B | 85 BPM | ||
| The Bee Song | Arthur Askey | B♭ Major | 2 | 6B | 101 BPM | ||
| Cozy Dreamscape | Oldies Playing | C Major | 0 | 8B | 65 BPM | ||
| I Made You Love Me | Tony Penultimate | D Major | 6 | 10B | 108 BPM | ||
| What Becomes of Christmas | Max Showalter, Signe Hasso, Otto Stenzel | F Major | 2 | 7B | 126 BPM | ||
| A Hippopotamus For Christmas | Pat McMinn | D♭ Major | 4 | 3B | 119 BPM | ||
| In the Cool, Cool, Cool of the Evening | Frankie Carle | C Minor | 8 | 5A | 96 BPM | ||
| Freddie The Fisherman's Son | Ruth Wallis | G Major | 3 | 9B | 103 BPM | ||
| Anything Goes: You're the Top | Cole Porter | E♭ Major | 1 | 5B | 91 BPM | ||
| Hail To Thee, Fat Person (How I Got Fat) | Allan Sherman | D♭ Major | 4 | 3B | 104 BPM | ||
| Mad Dogs and Englishmen | Noel Coward | C Major | 3 | 8B | 134 BPM | ||
| Speaking of the Weather | Dick Powell | A♭ Major | 2 | 4B | 178 BPM |