Tony Martin's 'Begin the Beguine' had a release date set for November 3, 2009. The duration of This song is about 3 minutes long, at 3:27. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Tony Martin's "How Can it Be Told" album is number 33 out of 36. On top of that, Sweden appears to be the country where this track was created. Begin the Beguine is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Begin the Beguine by Tony Martin to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| In the Chapel in the Moonlight | Kitty Kallen | F Major | 1 | 7B | 100 BPM | ||
| Symphony | Freddy Martin & His Orchestra | E Major | 2 | 12B | 93 BPM | ||
| Hallelujah! | Tony Martin | F♯ Major | 8 | 2B | 144 BPM | ||
| It All Depends On You | Annette Hanshaw | B♭ Major | 2 | 6B | 95 BPM | ||
| I Can't Get Started - Alternate Take | Bunny Berigan | E Major | 2 | 12B | 93 BPM | ||
| Heartbeat | Ruby Murray | B Major | 2 | 1B | 85 BPM | ||
| Jazz Clasico de los 50 | Jazz Clasico, Jazz Retro, Musica De Los 50 | F Minor | 2 | 4A | 93 BPM | ||
| As Time Goes By | Rudy Vallee | A♭ Major | 2 | 4B | 81 BPM | ||
| Coffee in the Morning (And Kisses in the Night) | Lew Stone | A♭ Major | 2 | 4B | 108 BPM | ||
| Standing On the Corner | The Four Lads | G Major | 5 | 9B | 115 BPM | ||
| Purple Shades | Joni James | E Major | 2 | 12B | 93 BPM | ||
| Who | Jack Buchanan | B♭ Minor | 3 | 3A | 84 BPM | ||
| Why Don't We Do This More Often | Kay Kyser & His Orchestra, Ginny Simms | E Major | 2 | 12B | 93 BPM | ||
| Doctor, Lawyer, Indian Chief | Betty Hutton | A♭ Major | 3 | 4B | 176 BPM | ||
| Rose Marie | Jeanette MacDonald, Nelson Eddy | C Major | 1 | 8B | 71 BPM | ||
| La Vie en Rose - Remastered | Tony Martin | E Major | 3 | 12B | 86 BPM | ||
| Love and the Weather | Fran Jeffries | D♭ Major | 3 | 3B | 120 BPM | ||
| You Turned The Tables On Me | Lee Wiley | D♭ Major | 1 | 3B | 115 BPM | ||
| The First Time I Saw You | Jimmie Lunceford | C Major | 3 | 8B | 78 BPM | ||
| The Music Man: Till I Met You (1950 mono recording) | Eileen Wilson, Meredith Willson Orchestra, Meredith Willson | F Minor | 3 | 4A | 117 BPM | ||
| Don't Let The Moon Get Away | Dick Jurgens & His Orchestra, Eddy Howard | C Major | 1 | 8B | 117 BPM | ||
| Hold My Hand | Don Cornell | E♭ Major | 2 | 5B | 82 BPM | ||
| My Special Angel | Malcolm Vaughan | G Minor | 3 | 6A | 81 BPM | ||
| Too Marvellous for Words | Carroll Gibbons, The Savoy Hotel Orpheans | D♭ Major | 1 | 3B | 75 BPM | ||
| Please, Mr. Sun | Johnnie Ray | E Minor | 2 | 9A | 62 BPM |