Shohan Lal, Bharti Lal, Meena Rana, UMA's ' "Surtu Bhiyana" was released on its scheduled release date, April 6, 2002. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 6 in Chaitwali Nayi Purani by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Surtu Bhiyana is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Surtu Bhiyana by Shohan Lal, Bharti Lal, Meena Rana, UMA is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Panihari Dhun | Kohinoor Langa | B♭ Major | 8 | 6B | 150 BPM | ||
| Kesariya Banna | Kohinoor Langa | F Major | 8 | 7B | 113 BPM | ||
| Guru Devji | Dhanabharti Ji | A♭ Major | 9 | 4B | 86 BPM | ||
| Nai Nai Ban Kahe Gori | Jaysingh raja, jyoti Kushvah | D♭ Minor | 6 | 12A | 139 BPM | ||
| Man Paapi Bhoola | Bai Sundara Bai, Shanta Hublikar, Shahu Modak | C Major | 2 | 8B | 80 BPM | ||
| Bera Na Chhore Ya Gadi Kit | Rajender Singh Kharkiya, Madhu Sharma | E Minor | 5 | 9A | 111 BPM | ||
| Man Ne Sthir Kari Ne | NARAYANSWAMI | F♯ Major | 8 | 2B | 153 BPM | ||
| Tere Ghat me viraje bhagwan sant Rajuram | Sant Rajuram Ji | B Major | 7 | 1B | 101 BPM | ||
| Har Har Mahadev Har Har Mahadev | Amrita Chaturvedi, Upadhyay | D Major | 9 | 10B | 90 BPM | ||
| Kaha Khojat Fire | Samo Shastri | E♭ Major | 4 | 5B | 140 BPM | ||
| Dalli Resham | Mukti & Revival | B Minor | 6 | 10A | 171 BPM | ||
| Bole Ni Papiha Bole | Satwant, Prabhsharan, Gurdarshan | C Major | 5 | 8B | 129 BPM | ||
| Bharat Ki Ram Kahani | Kumar Vishwas | F♯ Major | 8 | 2B | 136 BPM | ||
| Bewaras Ki Dhal Firey Se | Karampal Sharma | F Major | 8 | 7B | 95 BPM | ||
| Pyar Na Kariyo | Kishore Mondal | C Minor | 1 | 5A | 96 BPM | ||
| Naybera Jodi Nakhe mor | Sarita Devi, Chinta Devi | E♭ Minor | 5 | 2A | 120 BPM | ||
| Antariye Ri Dapto - Original | Asha Sapera | B♭ Minor | 9 | 3A | 85 BPM | ||
| Dalbo Mangiya Me Senurba - Magahi | Shohan Lal | G Minor | 7 | 6A | 170 BPM | ||
| Malin Baithi Parbas Choti Pe | Bua Saheb, Bhagwat, Vatsala Kumthekar | F♯ Major | 3 | 2B | 61 BPM | ||
| India's First Handpan Player Sumit kutani Deepak Chamoli | DEEPAK CHAMOLI OFFICIAL | B Minor | 2 | 10A | 90 BPM | ||
| Bauya Bhula Jaitao Jirja Dham Mela Me - maghi | Shohan Lal | A Minor | 9 | 8A | 178 BPM | ||
| Chaudhary Sabal Singh Bori | Ashu Verma | F♯ Major | 9 | 2B | 89 BPM | ||
| Ye Chamak Ye Damak | Sudhir Vyas | A♭ Major | 6 | 4B | 106 BPM | ||
| Kali Chasmein Wali | Rajender Singh Kharkiya, Sudesh Sharma | C Major | 5 | 8B | 131 BPM | ||
| Chale Aana (Reel Collection #2) - Reprise | ReprizMusic | C Major | 5 | 8B | 131 BPM |