Fred Eaglesmith's ' "Seven Shells (Crash)" was released on its scheduled release date, October 6, 1997. The duration of This song is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Seven Shells (Crash)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Fred Eaglesmith's "Lipstick, Lies And Gasoline" album is number 12 out of 13. On top of that, United States appears to be the country where this track was created. The popularity of Seven Shells (Crash) is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Seven Shells (Crash) by Fred Eaglesmith to be Vivace (lively and fast) because the track has a tempo of 163 BPM, a half-time of 82BPM, and a double-time of 326 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Southbound Train | Roger Alan Wade | D Major | 2 | 10B | 122 BPM | ||
| Short Haired Woman Blues | Dave Rawlings Machine | E♭ Major | 3 | 5B | 113 BPM | ||
| Walking Shoes | Arlo McKinley | B Major | 4 | 1B | 118 BPM | ||
| Killin' Time In Texas | Gurf Morlix | B Major | 3 | 1B | 146 BPM | ||
| The Dogs | Justin Wells | B♭ Major | 8 | 6B | 147 BPM | ||
| Lonesome 77203 | Billy Don Burns | A Minor | 6 | 8A | 154 BPM | ||
| Baby Can I Crawl Back To You | Gurf Morlix | E Major | 4 | 12B | 172 BPM | ||
| Black T-Shirt | Slaid Cleaves | A Major | 4 | 11B | 87 BPM | ||
| Growing Trade | Levon Helm | A Major | 6 | 11B | 111 BPM | ||
| Everywhere Now | The Good Luck Thrift Store Outfit | G Major | 3 | 9B | 114 BPM | ||
| Cocaine | Hoyt Axton | D Major | 2 | 10B | 127 BPM | ||
| Nobody Has To Know Your Mind | John R. Miller | F Major | 5 | 7B | 92 BPM | ||
| Decent Man | James McMurtry | G Major | 6 | 9B | 182 BPM | ||
| Dead on the River (Rolling Down) | Ian Noe | B Minor | 3 | 10A | 132 BPM | ||
| Cheap Wine | Charlie Parr | B Major | 8 | 1B | 145 BPM | ||
| Panhead | Otis Gibbs | G Major | 4 | 9B | 108 BPM | ||
| Glory | The Hill Country Devil | E♭ Major | 4 | 5B | 111 BPM | ||
| There Oughta Be a Law Against Sunny Southern California (Jabo I, II, III) | Terry Allen | E Minor | 6 | 9A | 171 BPM | ||
| When The Wheels Touch Down | Wrinkle Neck Mules | C Major | 4 | 8B | 119 BPM | ||
| Either Way We're F*cked | Hellbound Glory | E Major | 5 | 12B | 112 BPM | ||
| Carmelita | Fred Eaglesmith | F Major | 3 | 7B | 172 BPM | ||
| Breakfast In Hell | Slaid Cleaves | B Minor | 5 | 10A | 162 BPM | ||
| Leaving Louisiana in the Broad Daylight | Rodney Crowell | F Major | 3 | 7B | 87 BPM | ||
| Black Bitter Moon | Malcolm Holcombe, Iris DeMent | E♭ Minor | 4 | 2A | 71 BPM | ||
| You're Lucky She's Lonely | Summer Dean, Colter Wall | E Major | 3 | 12B | 119 BPM |