On January 1, 1946, the song "Man Leta Hai Angdai" was released by Suraiya. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Man Leta Hai Angdai's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 12 in Anmol Ghadi by Naushad, Tanveer Naqvi. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Man Leta Hai Angdai is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Man Leta Hai Angdai by Suraiya is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Surmai Shaam | Suresh Wadkar, Gulzar | D Major | 3 | 10B | 148 BPM | ||
| Jane Bhi De Sanam | Sharada | C Major | 3 | 8B | 104 BPM | ||
| Pyar Par Bas To Nahin Hai | Asha Bhosle, Talat Mahmood | D Major | 2 | 10B | 97 BPM | ||
| Ankhiyan Milake - Zohrabai Ambalawali | Zohrabai Ambalawali | C Major | 4 | 8B | 114 BPM | ||
| Main Teri Nazar Ka Suroor Hoon | Talat Mahmood | G Major | 4 | 9B | 142 BPM | ||
| Ae Dard - E - Mohabbat | Surinder Kaur, Suraiya | D Major | 3 | 10B | 83 BPM | ||
| Adayen Tir Hai Andaz Nirale Hain (From "Jungle Princess") | Mubarak Begum, Jani Babu, Aziz Ghazi | G Minor | 5 | 6A | 159 BPM | ||
| Wahshat Hi Sahi | Talat Mahmood | E Major | 3 | 12B | 87 BPM | ||
| Wada Humse Kiya | Mubarak Begum, Kalyanji-Anandji | E♭ Minor | 6 | 2A | 91 BPM | ||
| Salam-E-Hasrat Qubool Kar Lo | Sudha Malhotra | A Major | 1 | 11B | 182 BPM | ||
| Khuda Kare Ki Mohabbat Mein | Talat Aziz | D Minor | 6 | 7A | 111 BPM | ||
| Man Mein Uthe Uchhale | Snehprabha Pradhan, Hameeda Bano | D♭ Major | 3 | 3B | 73 BPM | ||
| Dukh Sukh Ki | Chandrashekhar Gadgil, R. D. Burman | B Minor | 4 | 10A | 128 BPM | ||
| Kajre Ki Baati | K. J. Yesudas, Sulakshana Pandit | F Major | 4 | 7B | 134 BPM | ||
| Andhe Jahan Ke Andhe Raste | Talat Mahmood | A♭ Minor | 1 | 1A | 127 BPM | ||
| Kasmein Ham Apni Jaan Ki Khaye | Anwar Hussain | E Minor | 9 | 9A | 171 BPM | ||
| Tauba Tauba | Vinod Sehgal | B Major | 3 | 1B | 127 BPM | ||
| Dil Ko Teri Tasveer Se | Suraiya, Mohammed Rafi | A♭ Major | 3 | 4B | 138 BPM | ||
| O Shimul Bon Dao Rangiye Mon | Shyamal Mitra | D♭ Major | 2 | 3B | 165 BPM | ||
| Jali Jo Shakh Chaman (From "Tarana") | Talat Mahmood, Anil Biswas | G Major | 2 | 9B | 92 BPM | ||
| Yun To Apas Mein Bigadte Hai | Lata Mangeshkar, Mohammed Rafi | D♭ Major | 2 | 3B | 66 BPM | ||
| Mitwa Bole Meethe Bain | Bhupinder Singh, R. D. Burman | G Major | 2 | 9B | 149 BPM | ||
| O Meri Ladli (Part - 2) | Suman Kalyanpur | E♭ Minor | 4 | 2A | 127 BPM | ||
| Badra Ki Chhaon Tale | Suraiya, Mukesh | E♭ Major | 2 | 5B | 67 BPM | ||
| Ek Baar Kaho Mujhe Pyar Karte Ho | Bappi Lahiri, Sulakshana Pandit | F♯ Minor | 1 | 11A | 90 BPM |