Pale Ram, Rajender, Ranbir, Rakesh, Naresh's ' "Usse Wo Sharmave Tha Part 8" was released on its scheduled release date, July 23, 2021. This song is about six minutes long, preciously at 6:08, making this song fairly long compared to other songs. The track order of this song in Pale Ram's "Kathura Competition Vol 1" album is number 9 out of 11. On top of that, India appears to be the country where this track was created. Based on our statistics, Usse Wo Sharmave Tha Part 8's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Usse Wo Sharmave Tha Part 8 by Pale Ram, Rajender, Ranbir, Rakesh, Naresh to be Allegro (fast, quick, and bright) because the track has a tempo of 142 BPM, a half-time of 71BPM, and a double-time of 284 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mere Aaja Man Ke Meli | Ranbir Singh Badhwasniyan | C Major | 6 | 8B | 121 BPM | ||
| Olkhan Nai Jay | Jaymin Dabhoda | A♭ Minor | 6 | 1A | 144 BPM | ||
| Tadpati Chhori Part 2 | Pale Ram | F Major | 8 | 7B | 119 BPM | ||
| Shel Darvaje Dholchi Vagi | Jignesh Kaviraj, Tejal Thakor | A Major | 9 | 11B | 130 BPM | ||
| Lakhmichand Brahamgyangale Me Ghala Dukh | Master Satbir Singh | A Major | 6 | 11B | 127 BPM | ||
| Bijli Kadke | Azad Singh Khandakhedi | G Minor | 1 | 6A | 74 BPM | ||
| Teri Saran Me Aagya Baba | Sumit Kalanaur | B Major | 9 | 1B | 118 BPM | ||
| Kali Andhari | Rajbha Gadhvi Gir | B♭ Major | 9 | 6B | 90 BPM | ||
| Chatari Aaale Manne Lako Le Ade Ke Chori Pagal Ho Re | Rajender Kharkiya | E Minor | 6 | 9A | 112 BPM | ||
| Ek Faujan Nyu Boli Part 8 | Ranbir, Bali, Satbir, Pale Ram | F Minor | 9 | 4A | 142 BPM | ||
| Pappu Mange Chay Chay Chay - Adhar Chatanya - Hindi | Aadar Chaitanya | D♭ Major | 8 | 3B | 130 BPM | ||
| Heere Jane Wali | Kosinder, Rishipal | A♭ Minor | 6 | 1A | 146 BPM | ||
| Chorii Kaa Dhan Osh Kaa Paanii | Ramesh Kalawadiya | B Major | 8 | 1B | 151 BPM | ||
| Pind Var Nagoba | Amol Shirsath | A♭ Major | 10 | 4B | 162 BPM | ||
| Aur Jis Ghar Me Veer Part 5 | Pale Ram, Rakesh, Dayanand, Narinder, Ranveer | A♭ Major | 7 | 4B | 77 BPM | ||
| Bebe Main To Ghus Ghus Ke Ne Roo | Narendra Kaushik | E Minor | 9 | 9A | 151 BPM | ||
| Thane Manava Ayi Joganiya Mata | Rani Rangili | G Major | 9 | 9B | 104 BPM | ||
| Gajanana Dukhh Sangu Kuna-Gan | Ramchandra Ghanekar | F♯ Minor | 9 | 11A | 112 BPM | ||
| Mohbaat Me Tadapna | Rajender Kharkiya, Madhu Sharma, Pale Ram, Dayanand, Suresh, Neelam | G Major | 5 | 9B | 141 BPM | ||
| Teri Akhya Ke | Master Satbeer Singh | D♭ Major | 9 | 3B | 146 BPM | ||
| Lakhabaicha Alankar Bamani Shingar | Gajrabai Bhumbe | D♭ Major | 9 | 3B | 120 BPM | ||
| Byah Shadi Ki Nahin Jaroorat | Master Satbeer Singh | F♯ Minor | 5 | 11A | 128 BPM | ||
| Bistar Pe Tey Chala Re Utth Ke Aawna Lagya Tiwala | Vikash Passoria | A Major | 9 | 11B | 141 BPM | ||
| Bank Baroda me khato khulwayo | Anchor Bablu Sharma | E♭ Major | 7 | 5B | 134 BPM | ||
| Jija Menea Ladea Bali | Koshinder Khadana, Rishipal, Karampal Sharma, Brampal, Ram Avtav, Manju | D Major | 5 | 10B | 142 BPM |