The Oxford Manner by Jørgen Krøger Mathisen, Lyder Øvreås Røed, Olga Konkova, Martin Nodeland, Arne Martin Nybo, Alexander Hoholm, Raymond Lavik, Lars Takla Song Details

Jørgen Krøger Mathisen, Lyder Øvreås Røed, Olga Konkova, Martin Nodeland, Arne Martin Nybo, Alexander Hoholm, Raymond Lavik, Lars Takla's ' "The Oxford Manner" was released on its scheduled release date, February 19, 2021. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 7 in Collett Collective by Jørgen Krøger Mathisen. Going off of the ISRC code of this track, we detected that the origin of this track is from Norway. In terms of popularity, The Oxford Manner is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

BPM and Tempo

The tempo marking of The Oxford Manner by Jørgen Krøger Mathisen, Lyder Øvreås Røed, Olga Konkova, Martin Nodeland, Arne Martin Nybo, Alexander Hoholm, Raymond Lavik, Lars Takla is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.

Music Key

This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -14.63 dB
Acousticness: 42%
Danceability: 59%
Energy: 56%
Instrumentalness: 92%
Liveness: 10%
Loudness: 76%
Speechiness: 5%
Valence: 46%

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