Barkha Rani's ' "Baachi Na Izatiya" was released on its scheduled release date, April 19, 1999. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Barkha Rani's "Kishmish Ke Bori" album is number 4 out of 8. On top of that, India appears to be the country where this track was created. In terms of popularity, Baachi Na Izatiya is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Baachi Na Izatiya by Barkha Rani to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| KUNWAR KUNWAR | JYOTI KANWAR | F♯ Minor | 9 | 11A | 105 BPM | ||
| Gire La Pani Chuhela Chani Re | Kishan Sen, Purnima Gayakwad | A♭ Minor | 8 | 1A | 95 BPM | ||
| Pyar Mein Fansa Ke Rowa | Rekha Rani, Barkha Rani | A♭ Major | 8 | 4B | 85 BPM | ||
| Dhokha Kahu Dena Rihis Ta | Jiteshwari Sinha, Hiresh Sinha | C Major | 7 | 8B | 96 BPM | ||
| Charan Chuwa Le Baba Charan | Prem Anand Chauhan | D♭ Major | 9 | 3B | 120 BPM | ||
| Diwana Bana Diye Wo | Kishan Sen, Purnima Gayakwad | F♯ Minor | 7 | 11A | 150 BPM | ||
| Ranchi Shahar Re Moy To | Pawan | A Major | 8 | 11B | 135 BPM | ||
| Barsaat | Sanjay Kirade, Heena Dawar | G Major | 6 | 9B | 125 BPM | ||
| Kora Kagaz Mein Likh Delon Name | Nagpuri Diwana | A♭ Major | 6 | 4B | 87 BPM | ||
| Dhak Dhak Dil Dhadke | Shivani Vaishnav | F♯ Major | 9 | 2B | 130 BPM | ||
| Jiye Nai Sakaw | Virendra Chaturvedi, Champa Nishad | A♭ Minor | 7 | 1A | 96 BPM | ||
| Ghunghat Me | Bashir Ansari | A Major | 7 | 11B | 177 BPM | ||
| Mang Ma Sindur Bharaye | Gofelal Gendle | G Minor | 8 | 6A | 141 BPM | ||
| Maya De Dena O | Mahendra Sahu, Barkha Rani | D♭ Major | 5 | 3B | 130 BPM | ||
| Baachi Na Izatiya | Barkha Rani | D♭ Major | 3 | 3B | 92 BPM | ||
| A Rani Suno Na Kesho Devi - Theth Nagpuri | Kesho Devi, Rajdev Nayak | E♭ Major | 9 | 5B | 82 BPM | ||
| Tor Bewafayi | Kumar Pritam | G Major | 8 | 9B | 120 BPM | ||
| Ae Pawan | Sunil Soni, Namami Dutt | B♭ Minor | 9 | 3A | 83 BPM | ||
| Lajana Tor o Katho Ga Mai To | Dular Mandavi | F♯ Major | 10 | 2B | 140 BPM | ||
| Ashiq Kahay Na Tore | Pawan | B Major | 9 | 1B | 150 BPM | ||
| Sardha Aur Viswash | Hiresh Sinha | D♭ Minor | 7 | 12A | 95 BPM | ||
| Hamar Bhojali | Aaru Sahu | F Minor | 7 | 4A | 125 BPM | ||
| Bhendar Baap | Rajib Karmakar, Kanika Karmakar | G Major | 8 | 9B | 183 BPM | ||
| Para Buli A Kokila | Dilip Lahariya, Rajkumari Chauhan | A♭ Minor | 9 | 1A | 156 BPM | ||
| Dekha Hobek Sorger Upor | Kundan Kumar | C Minor | 10 | 5A | 110 BPM |