Vetui Sundara, Rama Murthy, Mano, K. S. Chithra's ' "Asmadeeya" was released on its scheduled release date, January 1, 1997. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 20 in Annamayya by M. M. Keeravani. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Asmadeeya's popularity is average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Asmadeeya by Vetui Sundara, Rama Murthy, Mano, K. S. Chithra is Allegro (fast, quick, and bright), since this song has a tempo of 142 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ayyappa Ani Pilichina Palakavu | Akhilesh Gogu, Velpula Mahesh | C Major | 7 | 8B | 143 BPM | ||
| Chori Chori | Manu, K. S. Chithra | G Major | 2 | 9B | 98 BPM | ||
| Meghala Pallakilona | Sri Ram Prabhu, Sunitha | B Minor | 9 | 10A | 88 BPM | ||
| Chelimeeda | Mano, Chitra, Sri, Sirivennela Seetharama Sastry | B Major | 6 | 1B | 102 BPM | ||
| Dwadasa Jyothirilinga Swarupaa | Parupalli Ranganath | F Major | 5 | 7B | 152 BPM | ||
| Nandha Nandhana | Manikka Vinayagam, Krishna Chandar | C Minor | 7 | 5A | 96 BPM | ||
| Saarada Nanu Cheraga | V. Ramakrishna | A♭ Minor | 8 | 1A | 136 BPM | ||
| Nee Padhamula - Male | M. M. Keeravani | E Major | 6 | 12B | 152 BPM | ||
| Pelli Pata ( Bit )-1 | Partha Sarathy, Murali | A Minor | 9 | 8A | 130 BPM | ||
| Govindaa Sritha | Annamayya Keerthana, S. P. Balasubrahmanyam, M. M. Keeravaani, Anand Bhattacharya, Anuradha Paudwal | C Major | 6 | 8B | 117 BPM | ||
| Donda Pandu Lanti | Hariharan, Kalpana Patowary | F Minor | 7 | 4A | 153 BPM | ||
| Virisindhee Vasanthaganam | K.S. Chitra | F♯ Major | 8 | 2B | 138 BPM | ||
| Brahmothsava | Srinidhi | A♭ Major | 9 | 4B | 170 BPM | ||
| Sirula Nosage | Swarnalatha, Sujatha | D♭ Major | 9 | 3B | 182 BPM | ||
| Sri Meenakshi Pancharatnam | Prasath Sai, Kumari Chaitra, Vijaya Lakshmi | G Major | 2 | 9B | 130 BPM | ||
| Ghallu Ghallu Gagle | S.V.Krishna Reddy, S. P. Balasubrahmanyam, K. S. Chithra | G Minor | 6 | 6A | 90 BPM | ||
| Mooli Mooli Kaatinundoru - Version, 1 | Kaithapram Damodaran Namboothiri, K. S. Chithra | G Major | 5 | 9B | 104 BPM | ||
| Maha Padma Sadmey | Saketh Komanduri, M. M. Keeravaani, Vedavyasa | E Major | 7 | 12B | 154 BPM | ||
| Figure Maata | Mano, S.A. Rajkumar | A Minor | 6 | 8A | 83 BPM | ||
| Om Aaksharaya Namaha | Hemant Kumar, K. S. Chithra | F Major | 5 | 7B | 154 BPM | ||
| Ganga AC | S.P. Charan, Smitha | D♭ Major | 7 | 3B | 82 BPM | ||
| Jagatiki Moolamu | Parupalli Ranganath | G Major | 5 | 9B | 148 BPM | ||
| Narayana | G Balakrishna Prasad | C Minor | 7 | 5A | 90 BPM | ||
| Swamy Dinthaka Thom (From "Abhishekam") | Parupalli Ranganath | F♯ Major | 5 | 2B | 104 BPM | ||
| Aidu Girisudu Hari Hara Nandana Ayyappa Deva | Dappu Srinu | F♯ Minor | 5 | 11A | 92 BPM |