湯山昭, Haruko Ueda's 'チョコ・バー' had a release date set for August 12, 2015. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There is only one song in 湯山昭 3大ヒットピアノ曲集, so we believe that "チョコ・バー" is a single. In terms of popularity, チョコ・バー is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of チョコ・バー by 湯山昭, Haruko Ueda is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 1/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 3 Easy Pieces, K021: II. Waltz | Igor Stravinsky, Paul Lewis, Steven Osborne | D Minor | 1 | 7A | 107 BPM | ||
| 25の練習曲作品100 第1曲 素直な心 | Franz Burgmüller, Rintaro Akamatsu | C Major | 0 | 8B | 68 BPM | ||
| 24 Preludes, Op. 11: No. 4 in E Minor - Lento | Alexander Scriabin, Mao Fujita | G Major | 0 | 9B | 94 BPM | ||
| 日曜日のソナチネ II. Scherzando (踊る時計) | 湯山昭, 神野明 | G Major | 3 | 9B | 79 BPM | ||
| Lieder Ohne Worte. Op. 102: No. 4, Sighing Wind - Duo-Art 057 Br | Felix Mendelssohn, Vladimir de Pachmann, Peter Phillips | B♭ Major | 0 | 6B | 131 BPM | ||
| Lullaby for Piano | Richard Danielpour, Stefano Greco | D Minor | 0 | 7A | 66 BPM | ||
| ブルクミュラー25の練習曲: 14. シュタイヤー舞曲 (アルプス地方の踊り) | Burgmuller, 神野明 | C Major | 2 | 8B | 134 BPM | ||
| Holberg Suite, Op. 40: II. Sarabande. Andante | Edvard Grieg, Aristo Sham | G Major | 2 | 9B | 148 BPM | ||
| 版画: No. 3 雨の庭 | Claude Debussy, Mao Fujita | F♯ Minor | 1 | 11A | 97 BPM | ||
| 13 Preludes, Op. 32: No. 10 in B Minor - Excerpt | Sergei Rachmaninoff, Nikolai Demidenko | E Minor | 0 | 9A | 77 BPM | ||
| Nocturnes, Op. 16: IV. Nocturne No. 4 | Ignacy Jan Paderewski, Hubert Rutkowski | E Minor | 1 | 9A | 76 BPM | ||
| 5 Pieces, Op. 143 (Dedicated to Laura Reinila): I. Waltz | Tomasz Kamieniak, Valentin Silvestrov | E♭ Major | 0 | 5B | 68 BPM | ||
| Prélude, Choral et Fugue, FWV 21: I. Prélude | César Franck, Charles Owen | D♭ Major | 0 | 3B | 120 BPM | ||
| 序曲 音のデッサン | 湯山昭, 神野明 | G Major | 3 | 9B | 79 BPM | ||
| エチュード ハ短調 作品25-12 『大洋』 | NAIX | F Minor | 3 | 4A | 79 BPM | ||
| 夜想曲 第19番 ホ短調 作品72-1 「遺作」 | Frédéric Chopin, Dang Thai Son | C Minor | 0 | 5A | 78 BPM | ||
| ショパン:ワルツ第13番 変ニ長調 作品70の3(遺作) | タチアナ・シェバノワ | E Minor | 0 | 9A | 108 BPM | ||
| イスラメイ (東洋的幻想曲) | Mily Balakirev, Kotaro Fukuma | A Minor | 1 | 8A | 89 BPM | ||
| Canzonetta, Op. 123 No. 3 | Cécile Chaminade, Anna Miernik | G Minor | 1 | 6A | 71 BPM | ||
| Symphonic Etudes, Op. 13: Variation II (1852) | Robert Schumann, Paolo Ceccarini | D♭ Major | 2 | 3B | 143 BPM | ||
| プレリュード 変ニ長調 作品28-15「雨だれ」 | Kai Ichinose | D♭ Major | 0 | 3B | 65 BPM | ||
| Holberg Suite, Op. 40: IV. Air. Andante religioso | Edvard Grieg, Aristo Sham | G Major | 2 | 9B | 148 BPM | ||
| ツェルニー100番 練習曲(上) 15番アレグロ・モデラート | Carl Czerny, John O'Conor | D♭ Major | 2 | 3B | 68 BPM | ||
| 【午後6時】アルプスの夕ばえ(オースティン) | オースティン, 仲道祐子 | E♭ Minor | 0 | 2A | 71 BPM | ||
| ブルクミュラー25の練習曲: 21. 天使の合唱 | Burgmuller, 神野明 | C Major | 2 | 8B | 134 BPM |